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Edited by Hélène Camarade, Élizabeth Guilhamon, Matthias Steinle, Hélène Yèche
Mondes germaniques



Edited by Sylvain Dreyer, Dominique Vaugeois
La critique d'art à l'écran
Les arts plastiques
Arts du spectacle - Images et sons



Edited by Eugénie Zvonkine
Arts du spectacle - Images et sons
Russian, European and American specialists contributed to this volume on contemporary Russian cinema of the 1990's and the 21st century. It explores the favourite themes, the aesthetic innovations of this cinematography, as well as it’s relationship with it’s audiences and the State.



Edited by Claude Forest, Patricia Caillé
Arts du spectacle - Images et sons
While cinemas have been closing across the African continent, film production has boomed and access to film has considerably increased for urban dwellers. How do people watch films today? Which films do they watch? Does this still count as cinema? The essays in this volume explore spectatorship in Africa.



Edited by Claude Forest
Arts du spectacle - Images et sons
A major fact since the end of the 20th century has been the increasing participation of internationalisation in the financing of film and audiovisual productions. Certain States strongly encourage their production, particularly tax wise, thus modifying the scope of international alliances and both quantitative and qualitative levels of films and...



Tadeusz Lubelski
Arts du spectacle - Images et sons
A Broad narrative of Polish cinema from its origins to the present day, "Histoire du cinéma polonais" follows a traditional chronological pattern in its account of Polish historico-cinematography, from the first screenings put together in theatres on the Polish territory in 1896 up till the movies realized in 2013...



Edited by Patricia-Laure Thivat
Voyages et exils au cinéma
Rencontres de l'altérité
Arts du spectacle - Images et sons
Travels and exiles in the movies, meeting alterity concerns cultural hybridization, as translated through the screen, with no geographical restriction (American, Italian, African, Lebanese, Taiwanese, Japanese movies and so on). Beyond directors' travels and exiles, as sources of cultural and esthetical transfers, travel and exile as a movies’...



Réjane Hamus-Vallée
Peindre pour le cinéma
Une histoire du Matte Painting
Arts du spectacle - Images et sons
Present since the beginnings of the cinema, Matte Painting is a special effect which can be found in thousands of fake shots with an illusion so perfect that viewers are largely unaware of it. Consisting in combining in the same wide shot a real set and its continuation in the form of a painting, whether realized with brushes on glass or ...



Florence Gravas
La part du spectateur
Essai de philosophie à propos du cinéma
Esthétique et sciences des arts
What kind of experience do we go through when « we watch a movie » ? Though this standard phrase doesn't take into account the complexity of spectator’s seeing/hearing, it nevertheless underlines a kind of equivocity about what we « watch », as well as what is actually at stake.



Luc Vancheri
La Grande Illusion
Le Musée imaginaire de Jean Renoir
Arts du spectacle - Images et sons



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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille