Since the opening of European borders in the 1990s, horizon landscapes have been challenged. Three European countries allow us to examine the limits of their horizons: landscapes in film become a memory-screen testifying to important European changes and numerous interpretations of their national horizons.

The plays gathered here are the works of two famous northern Irish dramatists who experienced the ever-present Civil War that they stage with faith and talent. The spirit that enimates Boyd and Friel is the same, the places are different…

This volume is based on the results of a survey about film spectatorship and the uses of films today that was carried out in two North African (Morocco and Tunisia), and two Sub-Saharan (Tchad and Togo) countries. The survey with 3000 respondents used a similar questionnaire adapted to local specificities in the different countries. The analysis of

In countries with an enormous film supply coming essentially from other continents, but with its own (albeit irregular and sometimes non-existent) film production, what have been the dominant modes of production? What has been the impact of the digital revolution on the modes of production? What are the economic, industrial and social issues raised