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			<TitleText>Claude Simon</TitleText>
			
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		<TitleText textcase="01">Mécaniques évocatrices</TitleText>
		
		<Subtitle textcase="01">Claude Simon et la technique</Subtitle>
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		<PersonName>Wolfram Nitsch</PersonName> 
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		<BiographicalNote language="fre" textformat="02">&lt;p&gt;  Wolfram Nitsch est professeur de littérature française et de littératures hispaniques à l'Université de Cologne. Ses principaux champs de recherche sont la prose française du XX&lt;sup&gt;e&lt;/sup&gt; siècle (Proust, Simon, Michon, Réda, Macé, Modiano), le cinéma du réalisme poétique, la littérature espagnole du siècle d’or et la littérature argentine moderne, ainsi que l’anthropologie et la médiologie du littéraire.&lt;/p&gt;</BiographicalNote>
		
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		<SubjectHeadingText>Nouveau Roman;technologie culturelle;littérature et transport;métaphore machinique;La Bataille de Pharsale;Les Géorgiques;LʼAcacia;Le Tramway</SubjectHeadingText>
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		<Text language="fre" textformat="02">&lt;p&gt;L'univers de Claude Simon est hanté par la technique. Dans ses romans, le protagoniste se retrouve souvent face à des machines, soit à de moyens de communication comme le cinématographe ou le magnétophone, soit à des moyens de transport comme le tramway, le train ou l'avion; et le narrateur ne cesse de revenir sur des expériences semblables, emprunte des métaphores aux objets techniques ou en fait le modèle de son écriture. Le présent ouvrage explore cette dimension encore peu étudiée de l’œuvre du prix Nobel. Comme la plupart des «mécaniques» qu’il y décrit renvoient à la guerre, il pourrait sembler que Simon dénonce une machinerie anonyme et aliénante. Mais si l’on lit attentivement ses nombreuses pages évoquant la technique, on découvre qu’il y voit surtout un supplément indispensable à l’être humain, comme le propose la technologie culturelle d’inspiration maussienne, voire même le moteur concret d’une imagination transgressive qui contribue à l’emprise singulière de ses romans.&lt;/p&gt;</Text>
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		<Text language="fre" textformat="02">&lt;p&gt;L'univers de Claude Simon est hanté par la technique. Dans ses romans, le protagoniste se retrouve souvent face à des machines, soit à de moyens de communication comme le cinématographe ou le magnétophone, soit à des moyens de transport comme le tramway, le train ou l'avion; et le narrateur ne cesse de revenir sur des expériences semblables, emprunte des métaphores aux objets techniques ou en fait le modèle de son écriture. Le présent ouvrage explore cette dimension encore peu étudiée de l’œuvre du prix Nobel. Comme la plupart des «mécaniques» qu’il y décrit renvoient à la guerre, il pourrait sembler que Simon dénonce une machinerie anonyme et aliénante. Mais si l’on lit attentivement ses nombreuses pages évoquant la technique, on découvre qu’il y voit surtout un supplément indispensable à l’être humain, comme le propose la technologie culturelle d’inspiration maussienne, voire même le moteur concret d’une imagination transgressive qui contribue à l’emprise singulière de ses romans.&lt;/p&gt;</Text>
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		<Text language="fre">Le présent livre est le premier à explorer le rôle crucial de la technique dans les romans de Claude Simon.</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;Claude Simonʼs world is haunted by technology. In his novels, the protagonist often finds himself confronted with machines, either means of communication such as the cinema­tograph or the tape recorder, or means of transport such as the tramway, the train or the aeroplane; and the narrator is constantly returning to similar experiences, borrowing metaphors from technical objects or making them the model for his writing. This book explores this little-studied dimension of the Nobel Prize winnerʼs work. Since most of the "mechanics" he describes in it refer back to war, it might seem that Simon is denouncing an anonymous and alienating machinery. But if we read carefully the many pages in which he evokes technology, we discover that he sees it above all as an indispensable supplement to the human being, as proposed by the cultural technology inspired by Mauss, and even as the concrete engine of a transgressive imagination that contributes to the singular impact of his novels.&lt;/p&gt;</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;Claude Simonʼs world is haunted by technology. In his novels, the protagonist often finds himself confronted with machines, either means of communication such as the cinema­tograph or the tape recorder, or means of transport such as the tramway, the train or the aeroplane; and the narrator is constantly returning to similar experiences, borrowing metaphors from technical objects or making them the model for his writing. This book explores this little-studied dimension of the Nobel Prize winnerʼs work. Since most of the "mechanics" he describes in it refer back to war, it might seem that Simon is denouncing an anonymous and alienating machinery. But if we read carefully the many pages in which he evokes technology, we discover that he sees it above all as an indispensable supplement to the human being, as proposed by the cultural technology inspired by Mauss, and even as the concrete engine of a transgressive imagination that contributes to the singular impact of his novels.&lt;/p&gt;</Text>
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		<Text language="eng">This book is the first to explore the crucial role of technology in Claude Simonʼs novels.</Text>
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		<Text language="fre">Sous le signe de l'écheveau dessiné par Claude Simon, prix Nobel de Littérature, la collection qui porte son nom démêle de livre en livre les fils entrelacés d'une œuvre foisonnante et complexe.</Text>
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		<Text language="eng">Series supervised by Dominique Viart. Represented by a skein designed by Literature-Nobel-Prize-winner Claude Simon himself, the series which bears his name unravels from book to book the tangled threads of his complex and rich work.</Text>
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		<Text language="fre">&lt;p&gt;Fondée en 2007 par Philippe Bonnefis et Dominique Viart, la collection était dirigée par Dominique Viart, Université Paris-Ouest Nanterre La Défense.&lt;!--StartFragment--&gt;La collection est fermée depuis 2025, les publications se font désormais dans la collection Perspectives.&lt;!--EndFragment--&gt;&lt;/p&gt;  &lt;p&gt;Sous le signe de l'écheveau dessiné par Claude Simon, prix Nobel de Littérature, la collection qui porte son nom démêle de livre en livre les fils entrelacés d'une œuvre foisonnante et complexe.&lt;/p&gt;  &lt;p&gt;Affranchie de toute doxa critique, elle déploie les visages multiples, parfois inattendus, d'une esthétique sans concession, attentive au monde, à son histoire et à sa culture, exigeante envers l'écriture et son phrasé.&lt;/p&gt;  &lt;p&gt;• ISSN : 2780-545X (en ligne)&lt;/p&gt;</Text>
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		<Text language="eng">&lt;p&gt;Series supervised by Dominique Viart.&lt;/p&gt;  &lt;p&gt;&lt;!--StartFragment--&gt;The collection has been closed since 2025; publications are now made in the Perspectives collection.&lt;!--EndFragment--&gt;&lt;/p&gt;  &lt;p&gt;Represented by a skein designed by Literature-Nobel-Prize-winner Claude Simon himself, the series which bears his name unravels from book to book the tangled threads of his complex and rich work.&lt;br /&gt; Freed from any critical doxa, the series deploys the multiple – and sometimes unexpected – faces of a Simon's aesthetics: uncompromising, attentive to the world, its history and culture but also demanding when it comes to writing and phrasing.&lt;/p&gt;  &lt;p&gt;The Claude Simon series was created in 2007 by Philippe Bonnefis and Dominique Viart who shared its supervision till 2013.&lt;/p&gt;  &lt;p&gt;• ISSN : 2780-545X (online)&lt;/p&gt;</Text>
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