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<Text textformat="02" language="fre">&#60;p&#62;&#60;strong&#62;Ouvrage coédité avec le Musée du Louvre.&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Dans le cadre de la réflexion très actuelle sur l'artisanat, les rapports entre fabricants de figurines en terre cuite (coroplathes) et bronziers, souvent envisagés, sont rarement démontrés : ils se rejoignaient nécessairement dans leurs pratiques, à certaines étapes d'élaboration de leurs &#339;uvres quand ils fabriquaient prototypes, empreintes, moules et modèles intermédiaires. Quelques empreintes et moules en terre cuite ou en plâtre demeurent, voire quelques prototypes en terre cuite. Mais que connaissons-nous de la cire et de la terre crue ? Comment pouvons-nous aborder aujourd&#8217;hui la question des techniques de sculpture ayant pratiqué le modelage et utilisé le moule dans l&#8217;Antiquité grecque et égyptienne ? Si la notion de &#60;i&#62;plattein &#60;/i&#62;(façonner) est ainsi au c&#339;ur de cet ouvrage afin de relire les témoignages littéraires, iconographiques et matériels portant sur la plastique antique, l&#8217;importance de la reproduction par la technique du moulage, y compris pour le bronze, y est aussi reconsidérée.&#60;/p&#62;</Text>
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<Text language="fre">Comment réaliser une &#339;uvre en terre cuite ou en bronze en Grèce et en Égypte anciennes et quels étaient les points de rencontre entre ces deux techniques ?</Text>
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<Text textformat="02" language="eng">&#60;p&#62;In the context of the very current reflection on craftsmanship, the relationship between manufacturers of terracotta figurines (coroplasts) and bronzesmiths, often considered, is rarely demonstrated: they necessarily came together at certain stages of the development of their works when they made prototypes, impressions, moulds and intermediate models. There remain a few impressions, moulds and casts in fired clay or plaster, or even some terracotta prototypes. But what do we know of wax and unfired clay? How can we approach today the question of sculpture techniques that practiced modelling and used mould in Greek and Egyptian antiquity? If the notion of &#60;i&#62;plattein&#60;/i&#62; (to shape) is thus at the heart of this book in order to reread the literary, iconographic and material testimonies on ancient plastic, the importance of moulding, &#60;i&#62;i. e.&#60;/i&#62; the reproduction of an object through a mould, including bronze, is also reconsidered.&#60;/p&#62;</Text>
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<Text language="eng">How to make a work in terracotta or bronze in ancient Greece and Egypt and what are the meeting points between the two techniques?</Text>
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<Text textformat="02">&#60;p&#62;Introduction&#60;br /&#62;
&#60;em&#62;Sophie Descamps-Lequime, Violaine Jeammet&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;De l'argile au bronze : au commencement était le &#60;em&#62;plastes&#60;br /&#62;
Sophie Descamps-Lequime, Violaine Jeammet&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Positifs et négatifs, moules et matériaux dans l'Égypte pharaonique&#60;br /&#62;
&#60;em&#62;Marc Étienne&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;La réduplication des statuettes d&#8217;Osiris en bronze du temple d&#8217;Ayn Manawîr (oasis de Kharga, Égypte) : techniques et croyances&#60;br /&#62;
&#60;em&#62;Florence Gombert-Meurice&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Modelage de l&#8217;argile (Pline l&#8217;Ancien, &#60;em&#62;Histoire Naturelle&#60;/em&#62;, XXXV, 152) et fabrication des grands bronzes (Posidippe, 63 A-B)&#60;br /&#62;
&#60;em&#62;François Queyrel&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Bronze et terre cuite : le regard du peintre&#60;br /&#62;
&#60;em&#62;Annie Verbanck-Piérard&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Observations sur la plastique argienne archaïque&#60;br /&#62;
&#60;em&#62;Hélène Aurigny, Francis Croissant (&#8224;)&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;La statuaire en terre cuite : entre bronze et marbre ?&#60;br /&#62;
&#60;em&#62;Aliki Moustaka&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Bols tournés dans un moule : outils, artisans et pratiques d&#8217;ateliers&#60;br /&#62;
&#60;em&#62;Natacha Massar&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Cire, terre et plâtre. Regards croisés sur les situles de bronze&#60;br /&#62;
&#60;em&#62;Sophie Descamps-Lequime, Louise Détrez, Fabien Perronnet&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Donner la parole aux matériaux. Méthodologie empirique et morale pour bien travailler en atelier&#60;br /&#62;
&#60;em&#62;Patrice Alexandre&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Glossaire&#60;/p&#62;
&#60;p&#62;Index&#60;br /&#62;
Lieux de conservation&#60;br /&#62;
Noms communs&#60;br /&#62;
Noms de lieux&#60;br /&#62;
Noms propres&#60;/p&#62;</Text>
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<Text language="fre">La collection Archaiologia &#8211; du mot grec qui désigne chez Thucydide l'étude du passé &#8211; accueille toutes les recherches archéologiques selon des arcs chronologique et géographique étendus, depuis la Préhistoire jusqu'à l'époque contemporaine...</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2006 par Arthur Muller, la collection est aujourd'hui dirigée par Sandrine Huber, Université de Lille.&#60;/p&#62;  &#60;p&#62;Prenant acte du développement des sciences de l'Antiquité à l'université de Lille et du déploiement des sciences de l'Archéologie jusqu&#8217;à l&#8217;époque contemporaine, les Presses universitaires du Septentrion ont créé en 2006 la collection &#60;em&#62;Archaiologia&#60;/em&#62;, au sein du domaine &#60;em&#62;Temps, Espace et Société&#60;/em&#62;.&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;La collection &#60;em&#62;Archaiologia&#60;/em&#62; &#8211; du mot grec qui désigne chez Thucydide l&#8217;étude du passé &#8211; accueille toutes les recherches archéologiques selon des arcs chronologique et géographique étendus, depuis la Préhistoire jusqu&#8217;à l&#8217;époque contemporaine, portant d&#8217;une part sur les civilisations méditerranéennes, classiques ou non, et leurs marges, à l&#8217;image de la vaste enquête, &#60;em&#62;Historia&#60;/em&#62;, d&#8217;Hérodote, d&#8217;autre part sur les sociétés de nos régions. Elle est ouverte à la présentation et à l&#8217;exploitation de tous les types de sources, écrites (textuelles et épigraphiques), iconographiques et matérielles, dans toutes les directions de l&#8217;histoire (politique, économique, religieuse, artistique, culturelle&#8230;) et plus largement de l&#8217;anthropologie culturelle des sociétés du passé. La collection fait place aussi bien aux ouvrages monographiques qu&#8217;aux actes de manifestations scientifiques, lorsque les contributions y présentent une forte unité thématique.&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;2778-7427&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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