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<Subtitle textcase="01">Les réécritures de la Seconde Guerre mondiale dans les séries télévisées au temps de la guerre froide</Subtitle>
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<BiographicalNote textformat="02" language="fre">&#60;table border="0" cellpadding="0" cellspacing="0" width="100%"&#62;  &#60;tbody&#62;   &#60;tr&#62;    &#60;td style="width:82.64%;height:75px;"&#62;    &#60;p&#62;Marjolaine Boutet est professeure d'Études Anglophones à l&#8217;Université Sorbonne Paris-Nord. Agrégée-docteure en Histoire, spécialiste des séries télévisées, cet ouvrage est issu de son dossier d&#8217;habilitation, soutenu à l&#8217;université de Picardie Jules-Verne sous la présidence d&#8217;Henry Rousso et avec la garantie de Philippe Nivet.&#60;/p&#62;    &#60;/td&#62;   &#60;/tr&#62;  &#60;/tbody&#62; &#60;/table&#62;</BiographicalNote> 
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<SubjectHeadingText>propagande; Troisième Reich; Shoah; mémoire; nazisme; américanisation; construction européenne; télévision; réception</SubjectHeadingText>
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<Text textformat="02" language="fre">&#60;p&#62;Les séries télévisées des années 1960 à 1980 font partie de la « culture de guerre froide » et témoignent des évolutions de la mémoire de la Seconde Guerre mondiale dans cette période-clé. Comment ont-elles participé à la reconstruction des sociétés occidentales, et notamment à la construction européenne ? Qu'est-ce que le choc provoqué par la diffusion de la saga hollywoodienne &#60;i&#62;Holocaust&#60;/i&#62; révèle de la mémoire de la Shoah, mais aussi des phénomènes d'américanisation et de résistance à l&#8217;américanisation à la fin des années 70 et dans les années 1980 ? Marjolaine Boutet nous propose ici une histoire transnationale de 13 séries télévisées états-uniennes, britanniques, françaises et allemande diffusées pendant la guerre froide, à destination d&#8217;un public toujours plus nombreux et en voie de globalisation.&#60;/p&#62;</Text>
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<Text language="fre">Une histoire transnationale des séries télévisées occidentales au temps de la guerre froide, et plus particulièrement de la façon dont la Seconde Guerre mondiale a été réécrite en fonction des intérêts politiques et économiques de l'époque.</Text>
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<Text textformat="02" language="eng">&#60;p&#62;Television series from the 1960s to the 1980s are part of the "culture of the Cold War" and reveal the changes in the memory of the Second World War in this key period. How did they contribute to the reconstruction of Western societies, and in particular to the construction of North-Western Europe as a peaceful and unified area? What does the shock caused by the broadcasting of the Hollywood saga &#60;i&#62;Holocaust&#60;/i&#62; reveal about the memory of the genocide, but also about the phenomena of Americanization and the multiple resistances to it at the end of the 1970s and in the 1980s? Marjolaine Boutet draws a transnational history of 14 American, British, French and German television series broadcast during the Cold War, aimed at an ever-increasing and global audience.&#60;/p&#62;</Text>
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<Text language="eng">A transnational history of Western television series during the Cold War, with a focus on how World War II was rewritten to suit the political and economic interests of the time.</Text>
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<Text textformat="02">&#60;p&#62;&#60;strong&#62;Introduction&#60;/strong&#62;&#60;/p&#62;
&#60;p style="text-align: center;"&#62;&#60;strong&#62;Chapitre 1.&#60;br /&#62;
Séries télévisées, guerre froide et mémoires nationales de la seconde guerre mondiale (années 1960-1970)&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;I. Les séries anglophones des années &#60;em&#62;Combat!&#60;/em&#62;, &#60;em&#62;Hogan's Heroes &#60;/em&#62;et &#60;em&#62;Dad's Army&#60;/em&#62; : des soldats à taille humaine sur petit écran&#60;/p&#62;
&#60;p&#62;II. Les feuilletons européens des années 1970 : rivalités, réconciliations et reconfigurations de la triade France/Royaume-Uni/Allemagne&#60;/p&#62;
&#60;p style="text-align: center;"&#62;&#60;strong&#62;Chapitre 2.&#60;br /&#62;
Holocaust (NBC, 1978), première fiction télévisée au retentissement transnational&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;I. &#60;em&#62;Holocaust&#60;/em&#62;, série controversée avant même sa diffusion&#60;/p&#62;
&#60;p&#62;II. &#60;em&#62;Holocaust,&#60;/em&#62; la Shoah et la mémoire collective occidentale&#60;/p&#62;
&#60;p style="text-align: center;"&#62;&#60;strong&#62;Chapitre 3.&#60;br /&#62;
La Shoah, élément (in)contournable des séries des années 1980&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;I. &#60;em&#62;Winds of War&#60;/em&#62; et &#60;em&#62;War and Remembrance&#60;/em&#62; : l&#8217;échec commercial d&#8217;un « Shoah-business » bien intentionné&#60;/p&#62;
&#60;p&#62;II. &#60;em&#62;Heimat &#60;/em&#62;et &#60;em&#62;Allo Allo &#60;/em&#62;: contourner la Shoah&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Conclusion&#60;/strong&#62;&#60;/p&#62;</Text>
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<Text language="fre">La collection propose des ouvrages de réflexion critique sur les guerres et le fait militaire dans le monde, sans limites chronologiques ou disciplinaires. Toutes les disciplines académiques y sont donc accueillies et les approches pluridisciplinaires&#8230;</Text>
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<Text language="eng">The "War Studies" collection offers works of critical reflection on the military fact in the world, today and yesterday. All academic disciplines are welcome and multidisciplinary approaches are favored. The collection considers the military phenomenon&#8230;</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2018 par Catherine Denys, la collection est aujourd'hui co-dirigée par Jonas Campion, Université du Québec à Trois-Rivières et Benjamin Deruelle, Université du Québec à Montréal.&#60;/p&#62;  &#60;p&#62;La collection propose des ouvrages de réflexion critique sur les guerres et le fait militaire dans le monde, sans limites chronologiques ou disciplinaires. Toutes les disciplines académiques y sont donc accueillies et les approches pluridisciplinaires privilégiées. La collection envisage le fait guerrier et militaire de manière totale et globale. Elle publie des études tant sur les conflits, la stratégie et les enjeux géopolitiques, que sur les organisations militaires, le rôle et la place des armées dans les sociétés en temps de paix comme en temps de guerre. Elle s'intéresse aussi aux violences martiales, aux mécanismes de leur régulation et aux processus de transition entre la guerre et la paix.&#60;/p&#62;  &#60;p&#62;La collection vise ainsi à décloisonner les approches disciplinaires et à démultiplier les regards sur les hommes et les femmes, sur les idées et les mythes, ou sur les conditions matérielles, politiques, culturelles, juridiques ou encore économiques qui constituent l&#8217;univers de la guerre.&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2823-8389&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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