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<Text textformat="02" language="fre">&#60;p&#62;&#60;em&#62;Anthony Mann. Arpenter l'image&#60;/em&#62; est le premier ouvrage en français qui propose une analyse des films majeurs de l&#8217;un des plus importants réalisateurs hollywoodiens classiques, Anthony Mann (1906-1967). Celui-ci s&#8217;est investi dans les genres les plus importants de l&#8217;art cinématographique : film noir, western, film de guerre, péplum. Les auteurs visent, à travers ces analyses, à réfléchir l&#8217;image cinématographique et à contribuer à une philosophie de l&#8217;image.&#60;br /&#62;
C&#8217;est que l&#8217;ambition de Mann est bien réelle : il s&#8217;obstine, tout au long de sa carrière, à comprendre ce qu&#8217;est l&#8217;image et l&#8217;action qu&#8217;elle donne à voir. Mann raconte et s&#8217;efforce de comprendre en même temps, à même ses images, ce que c&#8217;est que de narrer en image, ce qu&#8217;est une action qui est de part en part image. Mann arpente les images qu&#8217;il compose.&#60;/p&#62;</Text>
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<Text language="fre">Anthony Mann. Arpenter l'image est le premier ouvrage en français qui propose une analyse des films majeurs de l&#8217;un des plus importants réalisateurs hollywoodiens classiques, Anthony Mann (1906-1967). Celui-ci s&#8217;est investi dans les genres les plus importants de l&#8217;art cinématographique : film noir, western, film de guerre, péplum. Les auteurs ...</Text>
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<Text language="eng">Anthony Mann. Arpenter l'image " is the first book in French which offers an analysis of the major films of one of the most important classic Hollywood directors, Anthony Mann (1906-1967).</Text>
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<Text textformat="02">&#60;p&#62;&#60;strong&#62;Introduction. L'ambition d&#8217;Anthony Mann&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 1. L&#8217;image au noir ou les aventures de la profondeur&#60;/strong&#62;&#60;br /&#62;
&#60;strong&#62;Introduction&#60;/strong&#62;&#60;br /&#62;
1. L&#8217;action&#60;br /&#62;
2. La composition&#60;br /&#62;
3. L&#8217;infiltration&#60;br /&#62;
Conclusion&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 2. &#60;em&#62;The Black Book&#60;/em&#62; : sortir par la fenêtre de l&#8217;image&#60;/strong&#62;&#60;br /&#62;
1. La perspective réfléchie&#60;br /&#62;
2. La projection&#60;br /&#62;
3. La banlieue ou la crête de l&#8217;image&#60;br /&#62;
4. La guillotine&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 3. &#60;em&#62;Devil&#8217;s Doorway&#60;/em&#62; : l&#8217;image, l&#8217;histoire et le diable&#60;/strong&#62;&#60;br /&#62;
1. Le paysage&#60;br /&#62;
2. L&#8217;histoire&#60;br /&#62;
3. Le langage&#60;br /&#62;
4. L&#8217;indétermination&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 4. Le double à l&#8217;image ou les étapes d&#8217;un voyage à l&#8217;Ouest&#60;/strong&#62;&#60;br /&#62;
1. Un cycle&#60;br /&#62;
2. &#60;em&#62;Winchester &#8217;73&#60;/em&#62; : L&#8217;institution du double&#60;br /&#62;
3. &#60;em&#62;Bend of the River&#60;/em&#62; : Devenir autre&#60;br /&#62;
4. &#60;em&#62;The Naked Spur&#60;/em&#62; : L&#8217;autre et le soin&#60;br /&#62;
5. &#60;em&#62;The Far Country&#60;/em&#62; : Le héros et la communauté&#60;br /&#62;
6. &#60;em&#62;The Man from Laramie&#60;/em&#62; : La disparition des doubles&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 5. &#60;em&#62;Man of the West&#60;/em&#62; : l&#8217;arpentage définitif du western&#60;/strong&#62;&#60;br /&#62;
1. Après la fin&#60;br /&#62;
2. À l&#8217;origine&#60;br /&#62;
3. L&#8217;ambivalence du cadre&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 6. &#60;em&#62;Men in War&#60;/em&#62; : les perspectives manquantes&#60;br /&#62;
Introduction&#60;/strong&#62;&#60;br /&#62;
1. Espace insurmontable&#60;br /&#62;
2. Puissance et faillite des regards&#60;br /&#62;
3. Le cadre en guerre&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 7. &#60;br /&#62;
&#60;em&#62;El Cid&#60;/em&#62; : entre tranches et colonnes, l&#8217;espace-temps du film épique&#60;/strong&#62;&#60;br /&#62;
1. Surface-tapisserie&#60;br /&#62;
2. Enroulement et déroulement de la légende&#60;br /&#62;
3. « Et le Cid entra à cheval dans la légende »&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Chapitre 8. &#60;em&#62;The Fall of the Roman Empire&#60;/em&#62; : le dilemme de l&#8217;image&#60;/strong&#62;&#60;br /&#62;
1. Contingence et nécessité&#60;br /&#62;
2. Le dilemme de l&#8217;image&#60;br /&#62;
3. L&#8217;arène de l&#8217;image&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Conclusion&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Synopsis et fiches techniques des principaux films analysés&#60;/strong&#62;&#60;br /&#62;
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<Text language="fre">À la croisée de la philosophie et des sciences humaines, la collection développe une réflexion critique sur l'art, qui prend en compte le rapport à la tradition et les modalités du devenir contemporain.</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2002 par Joëlle Caullier, puis dirigée jusqu'en 2023, cette collection est aujourd'hui coordonnée par Alexandre Chèvremont (Université de Lille).&#60;/p&#62;  &#60;p&#62;À la croisée de la philosophie et des sciences humaines, la collection développe une réflexion critique sur l'art, qui prend en compte le rapport à la tradition et les modalités du devenir contemporain. L&#8217;interrogation porte sur l&#8217;art et les arts, sur la diversité et l&#8217;affinité des arts entre eux, sur l&#8217;activité artistique et les &#339;uvres, sur le sensible créé par l&#8217;art, dans une perspective qui vise la dimension élargie du rapport à l&#8217;humain. Elle entend prendre en charge la question décisive de la relation de l&#8217;art au politique.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-6898&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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