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France Ireland
Literary Relations
Irlande
Ireland's entry in the common market? Civil War in the North? Need to rediscover a remote but so similar fellow, to change landscape and myths? There may be many reasons but the fact is France is more and more interested in its Celtic sister…
Title
France Ireland
Subtitle
Literary Relations
Edition
First Edition
With
Anne Chevalier, Émile-Jean Dumay, Bernard Escarbelt, Claude Fierobe, Pierre Joannon, Patricia Kearns, Gérard Leblanc, Vivian Mercier, John Montague, Mark Mortimer, Henri-Dominique Paratte, Jean-Claude Petiet, Monique Petiet, Margaret Stanley
Edited by
Patrick Rafroidi, Guy Fehlmann, Maitiu Mac Conmara
ISSN
02424762
Publisher
Presses Universitaires du Septentrion
BISAC Subject Heading
LIT004120 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Audience
05 College/higher education
CLIL (Version 2013-2019)
3643 Essais littéraires
Title First Published
01 January 1974
Subject Scheme Identifier Code
93 Thema subject category: DS
94 Thema geographical qualifier: 1DDU
94 Thema geographical qualifier: 1DDR
Nb of pages
272 p.
ISBN-10
2757402293
ISBN-13
978-2-7574-0229-0
GTIN13 (EAN13)
9782757402290
Reference no.
21
Publication Date
01 January 1974
Main content page count 272
Dimensions
16 x 24 cm
Claude Fierobe
Claude Fierobe
Irlande
If the name of Reverend Charles Robert Maturin is not only known by the amateurs of roman noir, it is because he is often associated to famous authors like Byron, Poe, Goethe, Baudelaire or Balzac. This book aims at giving a more truthful and more complete image of both Maturin and his work…
Contributions:
Edited by Claude Fierobe
Irlande
The comparative study of two figures — Vlad Tepes (Vlad the Impaler), who reigned in Wallachia from 1456 to 1462, and Dracula, hero of the eponymous 1897 novel — allows to define the nature of the relation between myth and history. It also allows to explain the genesis of a literary myth…
Edited by Jacqueline Genet
Études Irlandaises
The short story, one of the most demanding literary genres by the concentration and limited effects it requires, attracted Irish writers because of its variety and the immense field it offers to imagination. It originated in the Gaelic folklore stories…
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