From architecture to music, from theory to practice, from art to science, Iannis Xenakis set an example of free movement, always guided by a universal aim of creation.

From the cinematographic work of Spanish film Carlos Saura, this book focuses on the multiple narrative and aesthetic functions of vocal music in fictional films.

The Flemish choreographer Anne Teresa de Keersmaeker was always taken away from the idea according to which, in contemporary dance, music and choreography were independent.

From 2010 to 2016, Pascal Dusapin discussed his music through a written correspondance and two interviews with Maxime McKinley.