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Edited by Sylvain Dreyer, Dominique Vaugeois
La critique d'art à l'écran
Les arts plastiques
Arts du spectacle - Images et sons
Can film renew our relation to the visual arts? Does film offer a specific type of critical discourse on works of art, art history or esthetics ? Within the domain of « films on art » which have recently gained in visibility, the goal of this volume is to delimit the zone of exchanges between the cinema and the study of the visual arts.

Edited by Séverine Bridoux-Michel
Esthétique et sciences des arts
From architecture to music, from theory to practice, from art to science, Iannis Xenakis set an example of free movement, always guided by a universal aim of creation.

Edited by Jean-Roch Bouiller, Ségolène Le Men, Laurence Madeline, Giusy Pisano
Arts du spectacle - Images et sons
Designed in 1787, the Panorama offered the public a grandiose representation giving the feeling of visiting a city or reliving a historical event.

Réjane Hamus-Vallée
Peindre pour le cinéma
Une histoire du Matte Painting
Arts du spectacle - Images et sons
Present since the beginnings of the cinema, Matte Painting is a special effect which can be found in thousands of fake shots with an illusion so perfect that viewers are largely unaware of it. Consisting in combining in the same wide shot a real set and its continuation in the form of a painting, whether realized with brushes on glass or ...

Luc Vancheri
La Grande Illusion
Le Musée imaginaire de Jean Renoir
Arts du spectacle - Images et sons

Edited by Dolorès Lyotard

Edited by Alexandre Holin, Nathalie Poisson-Cogez
Histoire de l'art

Alain Buisine
Objet Numéro 78

Philippe Bonnefis
Mesures de l'ombre
Baudelaire, Flaubert, Laforgue et Verne
Objet Numéro 79

Madeline Pampel
Francis Ponge et Eugène de Kermadec
histoire d'un compagnonnage
Objet Numéro 75

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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille