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La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques.
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Brigitte Joinnault
Nous réécrivons perpétuellement Shakespeare tout comme il nous réécrit.
Les réécritures de Shakespeare aux XXe et XXIe siècles
Jean-Marc Lanteri
From the beginning, Georges Lavaudant has positioned himself against theatrical tradition – dramaturgical analysis – preferring to explore the stage and its hybrid forms that combine theatre, dance, singing, the presentation of photos, and videos.
Les territoires de l'imaginaire
Laure-Emmanuelle Pradelle
