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As an art critic challenging the academic painters of the official Salons, Huysmans positioned himself within Modern Art as a promoter of the Impres-sionists. The partiality for Gustave Moreau, that Huysmans was to display in A Rebours, marks his rupture with Zola and his circle. By turning toward an official painter hostile to any form of ...
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La fin du « moderne »
Daniel Grojnowski
Discover how automata transformed the performing arts and redefined modernity at the turn of the 20th century. Understand the fascination and the uncanny of automata in the media and performing arts.
Automates, performances mécaniques et cultures spectaculaires
Mireille Berton, Stéphane Tralongo
