Qu'est-ce que le genre et qu'apporte-t-il aux Études germaniques ? Ce numéro est dédié au genre comme objet d’étude et comme outil d’analyse dans les Études germaniques.

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Comment un évènement qui fait basculer nos vies bouscule-t-il la langue ? C'est à cette question que l'ouvrage tente de répondre en la questionnant par le prisme de la littérature des XX^e et XXI^e siècles.

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La table ronde « Le campus Pont-de-Bois, architecture et art » avec Richard Klein, professeur émérite d'histoire de l'architecture à l'ENSAPL - Université de Lille, et Christophe Hugot, responsable de la bibliothèque des sciences de l'Antiquité à l'Université de Lille, marque le lancement de cet ouvrage.

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The work of Claude Simon, Nobel Prize for Literature, finally made accessible! With the testimony of specialists, writers, actors, historians and the film directed by Alain Fleischer from the Claude Simon exhibition at the Centre Pompidou.

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This book lays the groundwork for current thinking on the possibility of uniforms in schools.

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The times we live in are marked by a series of events, practices and conflicts of memory that say a great deal about our contemporary wanderings, even if the lively discussions they give rise to are at the same time signs of a very present democratic conscience.

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Written for students and teachers, this book is designed to help them approach the history of justice at any level of learning, whether as an introduction or a specialism.

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En suivant le parcours du « Libérateur » Daniel O'Connell (1775-1847), héros populaire et mythe vivant en Irlande, ce livre retrace un moment unique de l'histoire de l'île, cette dernière faisant figure de laboratoire européen de la modernité démocratique.

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L'ouvrage présente un parcours intellectuel contextualisé du jeune philosophe d'origine allemande Éric Weil (1904-1977) et une édition bilingue commentée de vingt inédits.

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En adoptant une perspective à la fois diachronique et synchronique, l'ouvrage interroge les résurgences, les débordements, les seuils historiques et ensembles esthétiques de la littérature française.

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As part of the dynamics of the centenary of the First World War, this book analyzes the birth of the military cinematographic services that hatched everywhere in the world when, at the heart of the conflict, the cinema, then quite a recent medium, committed itself to the service of States and/or the armies.

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Since the opening of European borders in the 1990s, horizon landscapes have been challenged. Three European countries allow us to examine the limits of their horizons: landscapes in film become a memory-screen testifying to important European changes and numerous interpretations of their national horizons.

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The French contemporary narrative reveals a disturbing fascination for the irrational. Rather deserting the too bright shores of reason, it summons magical and often anachronistic figures (spectres, shamans, witches) to probe the meanders of a collective psyche whose fears and phantasms resist the paths of rationalism.

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The Netherlands at the time of Rembrandt and Vermeer, as seen by French travellers

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This book explores the hypertextual relationship between ancient apocalypticism and Romance cultural creations, examining the aesthetic, historical and religious repercussions of apocalyptic thought from the Middle Ages to the present day.

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Revolutions are also conducted by words. Since the end of the 18th century, in France, as in Europe and Latin America, reinterpreting the political and social order is a way of condemning and rejecting the current system, but also to be inspired and claim historical precedents. Thus, revolutions appear as unique moments of rethinking the past.

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Recognized worldwide, the politically engaged work of the Ukrainian director Sergei Loznitsa has established itself as unique and innovative in the contemporary cinematography.

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This book celebrates the 150th anniversary of the Wimereux marine station, attached to the University of Lille : 4 chapters retrace the chronology of the different stations that have existed on the Opal Coast.

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