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A cultural and transnational history of Fidelio, Beethoven's only opera.
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Transferts, circulations, appropriations (1798–XXIe siècle)
Patrice Veit, Philippe Gumplowicz
The history of nation-building in France and Germany in the 19th century is a largely transnational affair. Fuelled in particular by a multitude of exchanges and transfers, it is at stake across many and varied terrains that cut across the two societies as a whole, and in many respects go beyond the problem of the nation.
1815-1870Volume 6
Michael Werner
"Every reader, as he reads, is actually the reader of himself." What if this statement made by Marcel Proust could also apply to the collective reader which the cultural reception field is, within the context of cultural transfer?
Diffusion, réceptions, appropriations et traduction de Marcel Proust au Brésil (1913-1960)
Étienne Sauthier
