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Why do we need Homer to represent and analyse the contemporary world?
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Usages contemporains d'une oeuvre antique
Claire Lechevalier, Brigitte Poitrenaud-Lamesi
The work of Claude Simon, Nobel Prize for Literature, finally made accessible! With the testimony of specialists, writers, actors, historians and the film directed by Alain Fleischer from the Claude Simon exhibition at the Centre Pompidou.
Dominique Viart
Does a film about a writer represent a life, an institutional position, or a discourse? Is the goal of literary television programs or on-line critical videos to make literary more accessible? Questions of cultural heritage and education, as well as the "star" status of writers, seem to dominate cinematographic and televisual approaches to ...
Filmer la littérature
Sylvain Dreyer, Dominique Vaugeois
The papers on cultural diplomacy are quite substantial, very few concern the production and distribution of films. This book fills this gap with the research project that led to it: Exporting and supporting cinema in the context of Instituts français and Alliances françaises.
Le cinéma dans les Instituts français et les Alliances françaises
Giusy Pisano
Turkish Screens : Plurality of Images (2000-2020).
Kristian Feigelson, Mehmet Oztürk
Although it is often left aside, the film aspect ratio is an element of mise en scène, which is a key component of any cinematographic experience. On this premise and through a series of precise sequence analyses from silents films up to the present…
Le format d'image comme élément de mise en scène
Hugo Orts
In the book establish an initial assessment on the life of cinemas belonging to the Instituts français and the Alliances françaises.
The Cinemas of the Instituts and the Alliances françaises
Sophia Kornitsky
Ce livre traite des relations entre fixité et mouvement qui se sont nouées tout au long de l'histoire de l’image optique, depuis ses origines jusqu’à ses formes les plus récentes. Il propose une analyse de ces nouvelles image mais il s’interroge aussi sur les liens paradoxaux de la photographie au mouvement, et de l’image animée, à la fixité.
Fixité et mouvement
Caroline Chik
André Gaudreault
From time immemorial, illusionist magicians have used the new technical means in their show.
Les Arts trompeurs. Machines. Magie. Médias
Miguel Almiron, Sébastien Bazou
Discover how automata transformed the performing arts and redefined modernity at the turn of the 20th century. Understand the fascination and the uncanny of automata in the media and performing arts.
Automates, performances mécaniques et cultures spectaculaires
Mireille Berton, Stéphane Tralongo
Since the opening of European borders in the 1990s, horizon landscapes have been challenged. Three European countries allow us to examine the limits of their horizons: landscapes in film become a memory-screen testifying to important European changes and numerous interpretations of their national horizons.
Pays-Bas, Espagne, ex-Yougoslavie
Pietsie Feenstra
La diversification des ressources médiatiques offre des possibilités multiples en termes d'apprentissages. Le numéro s’intéresse aux médias numériques comme aux médias plus traditionnels (cinéma, bande-dessinée, photographie). Comment amener les élèves à les appréhender et/ou à acquérir des compétences disciplinaires par leur intermédiaire ?
Médias
This book explores the hypertextual relationship between ancient apocalypticism and Romance cultural creations, examining the aesthetic, historical and religious repercussions of apocalyptic thought from the Middle Ages to the present day.
Héritage et hypertextualité dans les Mondes romans du Moyen Âge à nos jours
Pénélope Cartelet, Michele Carini
Premier numéro critique sur Vladimir Pozner dont on découvre l'importance pour la littérature du XXe siècle. Ce numéro ouvre des voies de recherche sur cet auteur.
Vladimir Pozner. Tolstoï est mort, Le Mors aux dents, Les États-désunis
Alexis Buffet, Jean-Luc Martinet
