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From the Soviet era to the present day, Soviet and then Russian filmmakers have sought to show reality as excess. The weaking nightmares, their magma of images and sounds that saturate the viewer and the characters, help us to understand the relationship with history in this territory and its traumatic memory of war and repression.
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Le cinéma soviétique et postsoviétique de 1970 à nos jours
Eugénie Zvonkine
To probe the place of silence in contemporary cinema obliges us to examine not only its audiovisual staging but also what it implies, suggests or communicates to the spectator.
Histoire et esthétique
Louis Daubresse
