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	Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris: beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix. C'est aussi, réellement, l'auteur oté, des effets de paroles en retour, faisceau à la charge du lecteur, laisses ambiguës de la meute d'Actéon. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&lt;/p&gt;</Text>
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		<Text language="fre" textformat="02">&lt;p&gt;
	Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris: beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix. C'est aussi, réellement, l'auteur oté, des effets de paroles en retour, faisceau à la charge du lecteur, laisses ambiguës de la meute d'Actéon. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&lt;/p&gt;</Text>
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		<Text language="fre">Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris : beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix…</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;

	The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf in the reader's charge, ambiguous leashes of Actaeon's hounds. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&lt;/p&gt;</Text>
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		<Text language="eng" textformat="02">&lt;p&gt;

	The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf in the reader's charge, ambiguous leashes of Actaeon's hounds. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&lt;/p&gt;</Text>
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		<Text language="eng">The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf...</Text>
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		<Text language="fre">&lt;p&gt;Cette collection est fermée depuis 2023. Les ouvrages édités restent disponibles à la vente.&lt;/p&gt;</Text>
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