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Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris : beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix. C'est aussi, réellement, l'auteur oté, des effets de paroles en retour, faisceau à la charge du lecteur, laisses ambiguës de la meute d'Actéon. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&#60;/p&#62;</Text>
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<Text language="fre">Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris : beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix&#8230;</Text>
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<Text textformat="02" language="eng">&#60;p&#62;
The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf in the reader's charge, ambiguous leashes of Actaeon's hounds. "What can't be coded can be decorded if an ear aye sieze what no eye ere grieved for".&#60;/p&#62;</Text>
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<Text language="eng">The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf...</Text>
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