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<Text textformat="02" language="fre">&#60;p&#62;Ce volume continue à explorer les différentes dimensions de la résonance, comme geste à la fois compositionnel et d'écoute, qui appelle un éclaircissement quant au rapport au monde qu&#8217;elle induit. À la croisée théorique de l&#8217;écologie sonore, de la phénoménologie et de la sociologie politique, la résonance est ici associée à des gestes qui n&#8217;en finissent pas de confronter sa temporalité à la constitution d&#8217;un espace. Amplification, instauration, feedback et retentissement offrent des prolongements ou des contrepoids à sa présence obsédante et singulière, qui s&#8217;inscrit toujours dans une relation &#8211; technique, interpersonnelle, cosmique ou ontologique.&#60;/p&#62;</Text>
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<Text language="fre">À la croisée théorique de l'écologie sonore, de la phénoménologie et de la sociologie politique, la résonance est ici confrontée à des gestes qui n&#8217;en finissent pas de confronter sa temporalité à la constitution d&#8217;un espace.</Text>
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<Text textformat="02" language="eng">&#60;p&#62;This volume continues to explore the different dimensions of resonance, as both a compositional and listening gesture, which calls for clarification regarding the relationship to the world that it induces. At the theoretical crossroads of sound ecology, phenomenology, and political sociology, resonance here is confronted with gestures that endlessly challenge its temporality in the constitution of a space. Amplification, establishment, feedback, and resonance offer extensions or counterweights to its obsessive and singular presence, which is always inscribed in a relationship &#8211; technical, interpersonal, cosmic, or ontological.&#60;/p&#62;</Text>
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<Text language="eng">At the theoretical crossroads of sound ecology, phenomenology, and political sociology, resonance here is confronted with gestures that endlessly challenge its temporality in the constitution of a space.</Text>
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<Text textformat="02">&#60;p&#62;Avant-propos&#60;br /&#62;
Alexandre Chèvremont &#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Composer la résonance &#60;/strong&#62;&#60;br /&#62;
Musique et résonance. L'&#339;uvre comme instauration : lecture de Souriau µ&#60;br /&#62;
Antoine Bonnet&#60;br /&#62;
&#60;br /&#62;
La résonance, une « écoute par couches »&#60;br /&#62;
Entretien de Muriel Joubert avec Núria Giménez-Comas&#60;br /&#62;
&#60;br /&#62;
Paysages en résonance(s) &#60;br /&#62;
Gilles Malatray&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;La résonance et ses enjeux &#60;/strong&#62;&#60;br /&#62;
L'amplification : du nouvel espace acoustique à la résonance phénoménologique&#60;br /&#62;
Muriel Joubert&#60;br /&#62;
&#60;br /&#62;
Le concept de résonance de Hartmut Rosa, fondement philosophique d&#8217;une écologie sonore et musicale &#60;br /&#62;
Mihu Iliescu&#60;br /&#62;
&#60;br /&#62;
Feedback vs résonance. Sur quelques imbrications du politique et du musical en passant par une critique de Hartmut Rosa &#60;br /&#62;
Makis Solomos&#60;br /&#62;
&#60;br /&#62;
Le lieu en jeu &#60;br /&#62;
Jean-Philippe Velu&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;L'espace phénoménologique de la résonance &#60;/strong&#62;&#60;br /&#62;
La spatialité acoustique entre Erwin Straus et Xu Yi&#60;br /&#62;
Anne Boissière&#60;br /&#62;
&#60;br /&#62;
Le retentissement chez Eugène Minkowski&#60;br /&#62;
Alexandre Chèvremont &#60;br /&#62;
&#60;br /&#62;
Postlude &#60;br /&#62;
Alexandre Chèvremont&#60;/p&#62;</Text>
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<Text language="fre">À la croisée de la philosophie et des sciences humaines, la collection développe une réflexion critique sur l'art, qui prend en compte le rapport à la tradition et les modalités du devenir contemporain.</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2002 par Joëlle Caullier, puis dirigée jusqu'en 2023, cette collection est aujourd'hui coordonnée par Alexandre Chèvremont (Université de Lille).&#60;/p&#62;  &#60;p&#62;À la croisée de la philosophie et des sciences humaines, la collection développe une réflexion critique sur l'art, qui prend en compte le rapport à la tradition et les modalités du devenir contemporain. L&#8217;interrogation porte sur l&#8217;art et les arts, sur la diversité et l&#8217;affinité des arts entre eux, sur l&#8217;activité artistique et les &#339;uvres, sur le sensible créé par l&#8217;art, dans une perspective qui vise la dimension élargie du rapport à l&#8217;humain. Elle entend prendre en charge la question décisive de la relation de l&#8217;art au politique.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-6898&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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