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<SubjectHeadingText>sel; arts; larme; photographie; perle; sel noir; sel blanc; sel rose; histoire; archéologie; art cinématographique; chimie; Rose Lowder; Ilanit Illouz; Jana Sterbak; Robert Smithson; Racita Dean; Vénus; lacrymatoire; oculiste; musée</SubjectHeadingText>
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<Text textformat="02" language="fre">&#60;p&#62;L'atelier « Regards croisés sur le sel » se consacre depuis plus de dix ans à l&#8217;étude de la culture du sel. Il montre que ce minéral commun à l&#8217;humanité et indispensable à la vie, a donné naissance à une véritable cristallisation matérielle et intellectuelle de mots, d&#8217;expressions, de textes, d&#8217;images&#8230; Le foisonnement autour du sel donne une base solide à un travail interdisciplinaire : géologie, archéologie, histoire, arts, médecine et autres se côtoient et s&#8217;entremêlent. Ce troisième volet de la série Sel et société se place à la suite des volumes 1. &#60;em&#62;Techniques, usages, langage&#60;/em&#62; (2017) et 2. &#60;em&#62;Santé, croyances, économie&#60;/em&#62; (2020). Il cible deux thématiques : les « couleurs du sel » et le « sel et des larmes », complétant aussi l&#8217;approche plus orientée vers la création de &#60;em&#62;Sels d&#8217;hier, sels d&#8217;aujourd&#8217;hui&#60;/em&#62; (2023). Les spécialistes ont tourné leurs regards vers le sel pour en sublimer les expressions et démontrer les aspects polymorphes du sel au sein de notre société.&#60;/p&#62;</Text>
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<Text language="fre">Nos regards de sel vont vous faire découvrir les aspects polymorphes du sel dans notre société par l'analyse des couleurs du sel et du sel et des larmes.</Text>
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<Text textformat="02" language="eng">&#60;p&#62;The "Cross-Views on Salt" workshop has been dedicated to the study of salt culture for over ten years. It shows that this mineral, common to humanity and essential to life, has given birth to a true material and intellectual crystallization of words, expressions, texts, images... The abundance of research on salt provides a solid basis for interdisciplinary work: geology, archaeology, history, arts, medicine and others come together and intertwine. This third part of the Salt and Society series follows on from volumes 1. &#60;em&#62;Techniques, usages, langage&#60;/em&#62; (2017) et 2. &#60;em&#62;Santé, croyances, économie &#60;/em&#62;(2020). It focuses on two themes: the &#8220;colors of salt&#8221; and &#8220;salt and tears,&#8221; also complementing the more creation-oriented approach of &#60;em&#62;Sels d'hier, sels d&#8217;aujourd&#8217;hui&#60;/em&#62; (2023). Specialists have turned their attention to salt in order to enhance its expressions and demonstrate the polymorphic aspects of salt within our society.&#60;/p&#62;</Text>
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<Text language="eng">Our salty looks will help you discover the polymorphic aspects of salt in our society by analyzing the colors of salt and salt and tears.</Text>
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<Text textformat="02">&#60;p&#62;Avant-propos&#60;br /&#62;
&#60;em&#62;Christine Hoët-van Cauwenberghe, Armelle Masse, Arnaud Gauthier et Valérie Boudier&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;1. Les couleurs du seL de L'Antiquité à nos jours&#60;/strong&#62;&#60;br /&#62;
1. Introduction. Le sel, l&#8217;« or blanc » de l&#8217;Antiquité&#60;br /&#62;
&#60;em&#62;Christine Hoët-van Cauwenberghe,Armelle Masse et Séverine Clément-Tarantino&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;1.1. Le seL en blanc et noir&#60;/strong&#62;&#60;br /&#62;
2. Du sel blanc pour guérir les dames ?&#60;br /&#62;
Sur quelques usages du sel dans les traités hippocratiques &#60;br /&#62;
&#60;em&#62;Évelyne Samama&#60;/em&#62;&#60;br /&#62;
3. La production du sel noir dans l&#8217;Antiquité : une clef pour comprendre la valeur réflexive du sal niger dans les Satires d&#8217;Horace &#60;br /&#62;
&#60;em&#62;Bénédicte Delignon&#60;/em&#62;&#60;br /&#62;
4. Les couleurs du sel &#60;br /&#62;
&#60;em&#62;Léa Archelin, Michel Dubois, Arnaud Gauthier et Sandra Ventalon&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;2. Le seL et L&#8217;&#339;iL de L&#8217;Antiquité à nos jours&#60;/strong&#62;&#60;br /&#62;
10. Introduction. Le sel des origines. Regards au prisme des larmes &#60;br /&#62;
&#60;em&#62;Valérie Boudier et Armelle Masse&#60;/em&#62;&#60;br /&#62;
11. Les larmes de Vénus : du sel à la perle &#60;br /&#62;
&#60;em&#62;Arnaud Gauthier et Christine Hoët-van Cauwenberghe&#60;/em&#62;&#60;br /&#62;
12. Le sel et les vases lacrimaires ou lacrymatoires &#60;br /&#62;
&#60;em&#62;Caroline Husquin&#60;/em&#62;&#60;br /&#62;
13. L&#8217;usage de l&#8217;eau salée pour représenter les larmes dans le Seder de Pessah, le repas cérémoniel de la Pâque juive &#60;br /&#62;
&#60;em&#62;Zvi Ron&#60;/em&#62;&#60;br /&#62;
14. « On crache aussi du sel dans les yeux des bêtes de somme ».&#60;br /&#62;
Le pouvoir oculistique du sel dans le monde romain&#60;br /&#62;
&#60;em&#62;Muriel Pardon-Labonnelie&#60;/em&#62;&#60;br /&#62;
15. Des larmes et du sel : pour protéger et s&#8217;émouvoir&#60;br /&#62;
&#60;em&#62;Bernard Sablonnière&#60;/em&#62;&#60;br /&#62;
16. Conclusions et convergence des regards de sel vers de nouvelles perspectives &#60;br /&#62;
&#60;em&#62;Katia Schörle&#60;/em&#62;&#60;br /&#62;
17. Appendice. Regard sur les collections sur le sel du Musée des Civilisations de l&#8217;Europe et de la Méditerranée (MuCEM) &#60;br /&#62;
&#60;em&#62;Édouard de Laubrie&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;&#60;br /&#62;
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<Text language="fre">La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement.</Text>
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<Text language="eng">Series supervised by Michel Leymarie. This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods...</Text>
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<Text language="fre">&#60;p&#62;Fondée en 1978, la collection est aujourd'hui dirigée par Jean-François Condette, Université de Lille.&#60;/p&#62;  &#60;p&#62;La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement. Travaux d'histoire urbaine ou d'histoire rurale, d&#8217;histoire démographique, économique, sociale, politique, culturelle ou religieuse, biographies, essais historiques&#8230; constituent un large panel qui ne cesse de s&#8217;enrichir.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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<Text language="eng">&#60;p&#62;Series supervised by Carole Christen.&#60;/p&#62;  &#60;p&#62;This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods but never favors one over the other. Studies pertaining to urban or rural history, demographic, economic, social, political, cultural or religious history, biographies and historical essays are amongst the ever-growing and wide-ranging panel of works in this series.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (online)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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