<?xml version="1.0" encoding="UTF-8" ?>
<ONIXMessage release="3.0">
<Header>
<Sender>
<SenderName>Presses universitaires du Septentrion</SenderName>
<EmailAddress>onixsuitesupport@onixsuite.com</EmailAddress>
</Sender>
<SentDateTime>20260414T0931Z</SentDateTime>
<DefaultLanguageOfText>fre</DefaultLanguageOfText>
</Header> 
<Product>
<RecordReference>COM.ONIXSUITE.9782757446386</RecordReference>
<NotificationType>03</NotificationType>
<RecordSourceType>01</RecordSourceType>
<RecordSourceName>Presses universitaires du Septentrion</RecordSourceName>
<ProductIdentifier>
<ProductIDType>01</ProductIDType>
<IDTypeName>SKU</IDTypeName>
<IDValue>2402</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>02</ProductIDType>
<IDValue>275744638X</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757446386</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>15</ProductIDType>
<IDValue>9782757446386</IDValue>
</ProductIdentifier> 
<DescriptiveDetail>
<ProductComposition>00</ProductComposition>
<ProductForm>BC</ProductForm>
<Measure>
<MeasureType>01</MeasureType>
<Measurement>9.45</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>02</MeasureType>
<Measurement>6.30</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>03</MeasureType>
<Measurement>1.10</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>08</MeasureType>
<Measurement>11.46</Measurement>
<MeasureUnitCode>oz</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>01</MeasureType>
<Measurement>24</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>02</MeasureType>
<Measurement>16</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>03</MeasureType>
<Measurement>1.10</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>08</MeasureType>
<Measurement>325</Measurement>
<MeasureUnitCode>gr</MeasureUnitCode>
</Measure> 
<Collection>
<CollectionType>10</CollectionType>
<CollectionIdentifier>
<CollectionIDType>02</CollectionIDType>
<IDValue>19554893</IDValue>
</CollectionIdentifier> 
<TitleDetail>
<TitleType>01</TitleType>
<TitleElement>
<TitleElementLevel>02</TitleElementLevel>
<TitleText>Arts du spectacle - Images et sons</TitleText>
</TitleElement>
</TitleDetail>
</Collection> 
<TitleDetail>
<TitleType>01</TitleType>
<TitleElement>
<TitleElementLevel>01</TitleElementLevel>
<TitleText textcase="01">&#60;i&#62;Annette&#60;/i&#62; de Leos Carax</TitleText> 
<Subtitle textcase="01">Du noir de l'abîme à l'enchantement</Subtitle>
</TitleElement>
</TitleDetail> 
<Contributor>
<SequenceNumber>1</SequenceNumber>
<ContributorRole>A01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18458</IDValue>
</NameIdentifier> 
<PersonName>Judith Langendorff</PersonName> 
<PersonNameInverted>Langendorff, Judith</PersonNameInverted> 
<NamesBeforeKey>Judith</NamesBeforeKey> 
<KeyNames>Langendorff</KeyNames> 
<BiographicalNote textformat="02" language="fre">&#60;p dir="ltr"&#62;&#60;b id="docs-internal-guid-ac3e3d56-7fff-8d05-0aaf-582db261f35e"&#62;Docteure en études cinématographiques et audiovisuelles de l'Université Sorbonne-Nouvelle où elle est chargée d'enseignement depuis 2016, cinéma et photos conférencière, Judith Langendorff a publié&#60;em&#62; Le nocturne et l&#8217;émergence de la couleur : cinéma et photographie&#60;/em&#62;, aux PU de Rennes en 2021, version remaniée de sa thèse de doctorat, participé à des ouvrages collectifs (&#60;em&#62;Tableaux vivants-images en mouvement&#60;/em&#62;, éd. Garnier 2020, &#60;em&#62;Que fait la couleur à la photographie ?&#60;/em&#62; éd. Liénard 2025,&#60;em&#62; La nuit à la croisée des arts et des cultures,&#60;/em&#62; éd. L&#8217;Harmattan, 2025). Elle contribue aux revues &#60;em&#62;La Furia Umana&#60;/em&#62; et &#60;em&#62;Culturopoing&#60;/em&#62;.&#60;/b&#62;&#60;/p&#62;  &#60;p dir="ltr"&#62;&#60;b id="docs-internal-guid-ac3e3d56-7fff-8d05-0aaf-582db261f35e"&#62;Elle est également diplômée en histoire de l&#8217;art du second cycle de l&#8217;École du Louvre et de l&#8217;université Paris 1 Panthéon-Sorbonne. Elle a exercé le métier d&#8217;acheteuse d&#8217;art en photographie pour de grands groupes de communication. &#60;/b&#62;&#60;/p&#62;</BiographicalNote> 
</Contributor>
<EditionNumber>1</EditionNumber> 
<Language>
<LanguageRole>01</LanguageRole>
<LanguageCode>fre</LanguageCode>
</Language> 
<Extent>
<ExtentType>00</ExtentType>
<ExtentValue>166</ExtentValue>
<ExtentUnit>03</ExtentUnit>
</Extent> 
<Subject>
<MainSubject/>
<SubjectSchemeIdentifier>10</SubjectSchemeIdentifier>
<SubjectCode>PER004000</SubjectCode>
</Subject> 
<Subject>
<SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
<SubjectHeadingText>musique et sons au cinéma; opéra-pop; film musical; Leos Carax; Sparks; sons directs; supervision musicale; direction de la photographie; romantisme noir; inquiétante étrangeté; merveilleux; fantastique; esthétique du cinéma; Cannes 2021</SubjectHeadingText>
</Subject> 
<Subject>
<MainSubject/>
<SubjectSchemeIdentifier>29</SubjectSchemeIdentifier>
<SubjectSchemeVersion>2012</SubjectSchemeVersion>
<SubjectCode>3689</SubjectCode>
<SubjectHeadingText>Cinéma</SubjectHeadingText>
</Subject> 
<Audience>
<AudienceCodeType>01</AudienceCodeType>
<AudienceCodeValue>06</AudienceCodeValue>
</Audience> 
</DescriptiveDetail>
<CollateralDetail>
<TextContent>
<TextType>03</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02" language="fre">&#60;p&#62;Replongez dans la féérie visuelle et musicale de la troublante &#60;em&#62;Annette&#60;/em&#62; (2021) de Leos Carax grâce à cet essai sur l'univers oxymorique et romantique du film. La représentation de la jeune Annette en marionnette constitue autant le n&#339;ud de son histoire que le reflet du film : un conte étrange rehaussé d&#8217;un noir qui sublime les images et rend compte du tragique de la destinée des protagonistes. L&#8217;ouvrage s&#8217;attache aux personnages et à leurs interprètes, à la photographie, la mise en scène, le son, la musicalité et au merveilleux d&#8217;un film qui explore un drame et questionne la condition d&#8217;artiste. Philosophie, psychanalyse, histoire de la peinture et esthétique du cinéma sont sollicitées, toujours en fonction des matériaux du film et des questionnements qu&#8217;il convoque : le sublime, le beau, l&#8217;inquiétante étrangeté, la mort, la hantise... L&#8217;originalité du livre réside dans l&#8217;apport de sources inédites : les entretiens réalisés avec Caroline Champetier, Katia Boutin, Pierre-Marie Dru et les Sparks.&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>02</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">Cet essai livre une analyse esthétique d'Annette (2021) de Leos Carax, enrichie par des entretiens inédits avec l&#8217;équipe du film sur les subtilités de la réalisation de ce film musical très complexe.</Text>
</TextContent> 
<TextContent>
<TextType>03</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02" language="eng">&#60;p&#62;Immerse yourself once again in the visual and musical magic of Leos Carax's haunting &#60;em&#62;Annette&#60;/em&#62; (2021) with this essay on the film&#8217;s oxymoronic and romantic universe. The representation of the young Annette as a puppet is both the crux of her story and a reflection of the film: a strange tale enhanced by a noir style that sublimates the images and reflects the tragic fate of the protagonists. The book focuses on the characters and their performers, the photography, the staging, the sound, the musicality and the wonder of a film that explores drama and questions the condition of the artist. Philosophy, psychoanalysis, art history and film aesthetics are drawn upon, always in relation to the film's material and the questions it raises: the sublime, beauty, uncanny strangeness, death and haunting. The originality of the book lies in its use of previously unpublished sources: interviews with Caroline Champetier, Katia Boutin, Pierre-Marie Dru and Sparks.&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>02</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">This essay provides an aesthetic analysis of Leos Carax's Annette (2021), enriched by exclusive interviews with the film crew on the subtleties of making this highly complex musical film.</Text>
</TextContent> 
<TextContent>
<TextType>04</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02">&#60;p&#62;Remerciements &#60;br /&#62;
Merveilleux noir &#60;br /&#62;
(Re)présentations &#60;br /&#62;
1. Les noirs de l'amour &#60;br /&#62;
2. Les noirs de la mort &#60;br /&#62;
3. Les noirs de la damnation &#60;br /&#62;
&#60;br /&#62;
Faire surgir l'émerveillement : l&#8217;écriture cinématographique d&#8217;Annette &#60;br /&#62;
&#60;em&#62;Entretien avec Caroline Champetier&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Le spectre sonore d&#8217;Annette : orchestration des voix et des sons directs &#60;br /&#62;
&#60;em&#62;Entretien avec Katia Boutin&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
La fabrique de la musique et de la voix d&#8217;Annette &#60;br /&#62;
&#60;em&#62;Entretien avec Pierre-Marie Dru&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Les étincelles d&#8217;Annette : d&#8217;un album musical scénarisé à un film de Leos Carax sur un livret et la musique de Sparks &#60;br /&#62;
&#60;em&#62;Entretien avec Sparks&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Quelques photographies de tournage &#60;br /&#62;
&#60;br /&#62;
Fiche technique Annette &#60;br /&#62;
&#60;br /&#62;
Bibliographie&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>16</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">Cette collection a comme ambition de placer les médias au c&#339;ur d'une histoire du regard et de l'écoute par laquelle les images et les sons sont envisagés en termes d'expérience et de mémoire, mais également de connaissances et de techniques.</Text>
</TextContent> 
<TextContent>
<TextType>16</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">This collection apprehends artistic media as visual and auditory experiences and memories but it also considers images and sounds as knowledge and techniques. This articulation between thoughts and techniques invites the reader to contemplate images...</Text>
</TextContent> 
<TextContent>
<TextType>17</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">&#60;p&#62;Fondée en 2007 par Giusy Pisano (École nationale supérieure Louis-Lumière), la collection est toujours dirigée par elle aujourd'hui.&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;Cette collection a comme ambition de placer les médias au c&#339;ur d'une histoire du regard et de l'écoute par laquelle les images et les sons sont envisagés en termes d'&#60;em&#62;expérience&#60;/em&#62; et de&#60;em&#62; mémoire&#60;/em&#62;, mais également de &#60;em&#62;connaissances&#60;/em&#62; et de &#60;em&#62;techniques&#60;/em&#62;. Cette articulation entre pensées et techniques invite à appréhender les images et les sons sur un mode interdisciplinaire et intermédiale ouvert à une temporalité qui prend en son compte la double histoire de leur production : &#60;em&#62;matérielle&#60;/em&#62; et &#60;em&#62;mentale&#60;/em&#62;. La collection s&#8217;ouvre aux études sur leurs représentations en relation avec les expériences du regard et de l&#8217;écoute ainsi qu&#8217;avec les usages sociaux et politiques ; sur « l&#8217;&#339;il et l&#8217;ouï esthétiques » en termes de « modèles » propres à chaque période ; sur l&#8217;interdépendance entre phénomènes culturels, ou encore sur les tensions entre art et technique par l&#8217;introduction des nouvelles technologies. Créée comme un espace permettant la circulation d&#8217;ouvrages et d&#8217;idées, « Images et sons » travaille en étroite collaboration avec les universités et institutions patrimoniales françaises et d&#8217;Amérique du Nord.&#60;/p&#62;  &#60;p style="text-align: justify;"&#62;• ISSN : 2780-528X (en ligne)&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>17</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">&#60;p&#62;Series created in 2007 and supervised by Giusy Pisano.&#60;/p&#62;  &#60;p&#62;This series apprehends artistic media as visual and auditory &#60;i&#62;experiences&#60;/i&#62; and &#60;i&#62;memories&#60;/i&#62; but it also considers images and sounds as &#60;i&#62;knowledge&#60;/i&#62; and &#60;i&#62;techniques&#60;/i&#62;. This articulation between thoughts and techniques invites the reader to contemplate images and sounds with an interdisciplinary and inter-mediatic approach, an approach considering temporality as the two-folded history of the &#60;i&#62;material&#60;/i&#62;, as well as the &#60;i&#62;mental&#60;/i&#62;, production of images and sounds. The representations of the latter, in relation to visual and auditory experiences but also in their social and political applications are explored by works within this series, as are the notions of "aesthetic eye and ear" as "models" idiosyncratic to each era, the interdependence between various cultural phenomena or the tensions between art and technique created by the introduction of novel technologies. Designed as a space enabling the circulation of works and ideas, "Images et sons" works in close collaboration with French and Northern American universities and heritage institutions.&#60;/p&#62;  &#60;p&#62;&#8226; ISSN : 2780-528X (online)&#60;/p&#62;</Text>
</TextContent> 
<SupportingResource>
<ResourceContentType>01</ResourceContentType>
<ContentAudience>00</ContentAudience>
<ResourceMode>03</ResourceMode>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>02</ResourceVersionFeatureType>
<FeatureValue>2835</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>03</ResourceVersionFeatureType>
<FeatureValue>1890</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>06</ResourceVersionFeatureType>
<FeatureValue>d3a1df9bd26e68c85a01f533a0fb06bc</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>07</ResourceVersionFeatureType>
<FeatureValue>757976</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/titles/27574100546230/images/030869ecc70e997804feed92f3a8fbdc/HIGHQ/9782757446386.jpg</ResourceLink>
<ContentDate>
<ContentDateRole>17</ContentDateRole>
<Date dateformat="13">20260312T1510Z</Date>
</ContentDate> 
</ResourceVersion>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>02</ResourceVersionFeatureType>
<FeatureValue>188</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>03</ResourceVersionFeatureType>
<FeatureValue>125</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>06</ResourceVersionFeatureType>
<FeatureValue>a4964b6d75018bc735e732594fd4efac</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>07</ResourceVersionFeatureType>
<FeatureValue>13091</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/titles/27574100546230/images/030869ecc70e997804feed92f3a8fbdc/THUMBNAIL/9782757446386.jpg</ResourceLink>
<ContentDate>
<ContentDateRole>17</ContentDateRole>
<Date dateformat="13">20260312T1510Z</Date>
</ContentDate> 
</ResourceVersion>
</SupportingResource>
<SupportingResource>
<ResourceContentType>04</ResourceContentType>
<ContentAudience>00</ContentAudience>
<ResourceMode>03</ResourceMode>
<ResourceFeature>
<ResourceFeatureType>03</ResourceFeatureType>
<FeatureNote>Brigitte Franceschini</FeatureNote>
</ResourceFeature>
<ResourceFeature>
<ResourceFeatureType>06</ResourceFeatureType>
<FeatureValue>18458</FeatureValue>
<FeatureNote>Onixsuite Contributor ID</FeatureNote>
</ResourceFeature>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/persons/18458.jpg</ResourceLink>
</ResourceVersion>
</SupportingResource> 
<SupportingResource>
<ResourceContentType>09</ResourceContentType>
<ContentAudience>00</ContentAudience>
<ResourceMode>03</ResourceMode>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/publishers/1.jpg</ResourceLink>
</ResourceVersion>
</SupportingResource> 
</CollateralDetail>
<PublishingDetail>
<Imprint>
<ImprintName>Presses Universitaires du Septentrion</ImprintName>
</Imprint>
<Publisher>
<PublishingRole>01</PublishingRole>
<PublisherIdentifier>
<PublisherIDType>01</PublisherIDType>
<IDTypeName>Dilicom</IDTypeName>
<IDValue>SEPTENTRION</IDValue>
</PublisherIdentifier> 
<PublisherIdentifier>
<PublisherIDType>06</PublisherIDType>
<IDValue>3052865310012</IDValue>
</PublisherIdentifier> 
<PublisherName>Presses Universitaires du Septentrion</PublisherName> 
<Website>
<WebsiteRole>01</WebsiteRole>
<WebsiteDescription>www.septentrion.com/</WebsiteDescription>
<WebsiteLink>http://www.septentrion.com/</WebsiteLink>
</Website> 
</Publisher>
<PublishingStatus>04</PublishingStatus>
<PublishingDate>
<PublishingDateRole>01</PublishingDateRole>
<Date dateformat="00">20260403</Date>
</PublishingDate> 
<PublishingDate>
<PublishingDateRole>11</PublishingDateRole>
<Date dateformat="00">20260403</Date>
</PublishingDate> 
<SalesRights>
<SalesRightsType>01</SalesRightsType>
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
</Territory>
</SalesRights> 
</PublishingDetail>
<RelatedMaterial>
<RelatedWork>
<WorkRelationCode>02</WorkRelationCode>
<WorkIdentifier>
<WorkIDType>01</WorkIDType>
<IDTypeName>GCOI</IDTypeName>
<IDValue>27574100546230</IDValue>
</WorkIdentifier>
</RelatedWork>
</RelatedMaterial>
<ProductSupply>
<Market>
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
</Territory>
</Market>
<MarketPublishingDetail>
<MarketPublishingStatus>02</MarketPublishingStatus> 
</MarketPublishingDetail>
<SupplyDetail>
<Supplier>
<SupplierRole>06</SupplierRole> 
<SupplierIdentifier>
<SupplierIDType>06</SupplierIDType>
<IDValue>3012600500000</IDValue>
</SupplierIdentifier> 
<SupplierName>Sodis</SupplierName>
<Website>
<WebsiteRole>33</WebsiteRole>
<WebsiteDescription>www.sodis.fr/</WebsiteDescription>
<WebsiteLink>http://www.sodis.fr/</WebsiteLink>
</Website> 
</Supplier>
<ProductAvailability>40</ProductAvailability>
<Price>
<PriceType>04</PriceType> 
<PriceAmount>19.00</PriceAmount> 
<Tax>
<TaxType>01</TaxType> 
<TaxRateCode>R</TaxRateCode> 
<TaxRatePercent>5.50</TaxRatePercent> 
<TaxableAmount>18.01</TaxableAmount> 
<TaxAmount>0.99</TaxAmount>
</Tax> 
<CurrencyCode>EUR</CurrencyCode> 
<Territory>
<CountriesIncluded>FR</CountriesIncluded> 
</Territory> 
</Price>
<Price>
<PriceType>01</PriceType> 
<PriceAmount>19.00</PriceAmount> 
<CurrencyCode>EUR</CurrencyCode> 
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
<CountriesExcluded>FR</CountriesExcluded> 
</Territory> 
</Price>
</SupplyDetail>
</ProductSupply>
<ProductSupply>
<Market>
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
</Territory>
</Market>
<MarketPublishingDetail>
<MarketPublishingStatus>02</MarketPublishingStatus> 
</MarketPublishingDetail>
<SupplyDetail>
<Supplier>
<SupplierRole>03</SupplierRole> 
<SupplierIdentifier>
<SupplierIDType>06</SupplierIDType>
<IDValue>3012262710000</IDValue>
</SupplierIdentifier> 
<SupplierName>CID - Fondation MSH Distribution</SupplierName>
<Website>
<WebsiteRole>33</WebsiteRole>
<WebsiteDescription>www.cid-difusion.fr</WebsiteDescription>
<WebsiteLink>http://www.cid-difusion.fr</WebsiteLink>
</Website> 
</Supplier>
<ProductAvailability>40</ProductAvailability>
<Price>
<PriceType>04</PriceType> 
<PriceAmount>19.00</PriceAmount> 
<Tax>
<TaxType>01</TaxType> 
<TaxRateCode>R</TaxRateCode> 
<TaxRatePercent>5.50</TaxRatePercent> 
<TaxableAmount>18.01</TaxableAmount> 
<TaxAmount>0.99</TaxAmount>
</Tax> 
<CurrencyCode>EUR</CurrencyCode> 
<Territory>
<CountriesIncluded>FR</CountriesIncluded> 
</Territory> 
</Price>
<Price>
<PriceType>01</PriceType> 
<PriceAmount>19.00</PriceAmount> 
<CurrencyCode>EUR</CurrencyCode> 
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
<CountriesExcluded>FR</CountriesExcluded> 
</Territory> 
</Price>
</SupplyDetail>
</ProductSupply>
</Product>
</ONIXMessage>