<?xml version="1.0" encoding="UTF-8" ?>
<ONIXMessage release="3.0">
<Header>
<Sender>
<SenderName>Presses universitaires du Septentrion</SenderName>
<EmailAddress>onixsuitesupport@onixsuite.com</EmailAddress>
</Sender>
<SentDateTime>20260412T1258Z</SentDateTime>
<DefaultLanguageOfText>fre</DefaultLanguageOfText>
</Header> 
<Product>
<RecordReference>COM.ONIXSUITE.9782757446133</RecordReference>
<NotificationType>03</NotificationType>
<RecordSourceType>01</RecordSourceType>
<RecordSourceName>Presses universitaires du Septentrion</RecordSourceName>
<ProductIdentifier>
<ProductIDType>01</ProductIDType>
<IDTypeName>SKU</IDTypeName>
<IDValue>2385L</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>02</ProductIDType>
<IDValue>2757446134</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757446133</IDValue>
</ProductIdentifier>
<ProductIdentifier>
<ProductIDType>15</ProductIDType>
<IDValue>9782757446133</IDValue>
</ProductIdentifier> 
<DescriptiveDetail>
<ProductComposition>10</ProductComposition>
<ProductForm>SA</ProductForm>
<Measure>
<MeasureType>01</MeasureType>
<Measurement>9.45</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>02</MeasureType>
<Measurement>6.30</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>03</MeasureType>
<Measurement>1.50</Measurement>
<MeasureUnitCode>in</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>08</MeasureType>
<Measurement>14.74</Measurement>
<MeasureUnitCode>oz</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>01</MeasureType>
<Measurement>24</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>02</MeasureType>
<Measurement>16</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>03</MeasureType>
<Measurement>1.50</Measurement>
<MeasureUnitCode>cm</MeasureUnitCode>
</Measure> 
<Measure>
<MeasureType>08</MeasureType>
<Measurement>418</Measurement>
<MeasureUnitCode>gr</MeasureUnitCode>
</Measure> 
<ProductPart>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757445815</IDValue>
</ProductIdentifier>
<ProductForm>BC</ProductForm>
<NumberOfCopies>1</NumberOfCopies>
</ProductPart>
<ProductPart>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757446027</IDValue>
</ProductIdentifier>
<ProductForm>EA</ProductForm>
<ProductFormDetail>E107</ProductFormDetail> 
<NumberOfCopies>1</NumberOfCopies>
</ProductPart> 
<Collection>
<CollectionType>10</CollectionType>
<CollectionIdentifier>
<CollectionIDType>02</CollectionIDType>
<IDValue>12845655</IDValue>
</CollectionIdentifier> 
<TitleDetail>
<TitleType>01</TitleType>
<TitleElement>
<TitleElementLevel>02</TitleElementLevel>
<TitleText>Histoire et civilisations</TitleText>
</TitleElement>
</TitleDetail>
</Collection> 
<TitleDetail>
<TitleType>01</TitleType>
<TitleElement>
<TitleElementLevel>01</TitleElementLevel>
<TitlePrefix>À</TitlePrefix>
<TitleWithoutPrefix textcase="01">L'épreuve du feu</TitleWithoutPrefix>
<Subtitle textcase="01">Les musées du Nord de la France face aux guerres mondiales</Subtitle>
</TitleElement>
</TitleDetail> 
<Contributor>
<SequenceNumber>1</SequenceNumber>
<ContributorRole>B01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18228</IDValue>
</NameIdentifier> 
<PersonName>Hélène Blanc</PersonName> 
<PersonNameInverted>Blanc, Hélène</PersonNameInverted> 
<NamesBeforeKey>Hélène</NamesBeforeKey> 
<KeyNames>Blanc</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>2</SequenceNumber>
<ContributorRole>B01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18229</IDValue>
</NameIdentifier> 
<PersonName>Anne Labourdette</PersonName> 
<PersonNameInverted>Labourdette, Anne</PersonNameInverted> 
<NamesBeforeKey>Anne</NamesBeforeKey> 
<KeyNames>Labourdette</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>3</SequenceNumber>
<ContributorRole>B01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>9626</IDValue>
</NameIdentifier> 
<PersonName>Célia Fleury</PersonName> 
<PersonNameInverted>Fleury, Célia</PersonNameInverted> 
<NamesBeforeKey>Célia</NamesBeforeKey> 
<KeyNames>Fleury</KeyNames> 
<BiographicalNote textformat="02" language="fre">&#60;p&#62;Attaché de conservation territorial au musée de l'hôtel Sandelin à Saint-Omer&#60;/p&#62;</BiographicalNote> 
</Contributor>
<Contributor>
<SequenceNumber>4</SequenceNumber>
<ContributorRole>B01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>12058</IDValue>
</NameIdentifier> 
<PersonName>Alexandre Holin</PersonName> 
<PersonNameInverted>Holin, Alexandre</PersonNameInverted> 
<NamesBeforeKey>Alexandre</NamesBeforeKey> 
<KeyNames>Holin</KeyNames> 
<ProfessionalAffiliation>
<Affiliation>Chargé des projets en réseau à l'Association des conservateurs des musées du Nord &#8211; Pas de Calais.</Affiliation>
</ProfessionalAffiliation> 
</Contributor>
<Contributor>
<SequenceNumber>5</SequenceNumber>
<ContributorRole>B01</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>15211</IDValue>
</NameIdentifier> 
<PersonName>Florence Raymond</PersonName> 
<PersonNameInverted>Raymond, Florence</PersonNameInverted> 
<NamesBeforeKey>Florence</NamesBeforeKey> 
<KeyNames>Raymond</KeyNames> 
<BiographicalNote textformat="02" language="fre">&#60;p&#62;Florence Raymond, attachée de conservation du patrimoine au Palais des Beaux-Arts depuis 2010, est en charge des collections du 18&#60;sup&#62;e&#60;/sup&#62; siècle, des plans-reliefs et des nouveaux médias. Elle a coordonné, avec Mélanie Esteves, le projet de rénovation des plans-reliefs en 2018-2019.&#60;/p&#62;</BiographicalNote> 
</Contributor>
<Contributor>
<SequenceNumber>6</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18281</IDValue>
</NameIdentifier> 
<PersonName>Michele Adamczyk</PersonName> 
<PersonNameInverted>Adamczyk, Michele</PersonNameInverted> 
<NamesBeforeKey>Michele</NamesBeforeKey> 
<KeyNames>Adamczyk</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>7</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18282</IDValue>
</NameIdentifier> 
<PersonName>Solène Amice</PersonName> 
<PersonNameInverted>Amice, Solène</PersonNameInverted> 
<NamesBeforeKey>Solène</NamesBeforeKey> 
<KeyNames>Amice</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>8</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18283</IDValue>
</NameIdentifier> 
<PersonName>Aurélien Arnaud</PersonName> 
<PersonNameInverted>Arnaud, Aurélien</PersonNameInverted> 
<NamesBeforeKey>Aurélien</NamesBeforeKey> 
<KeyNames>Arnaud</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>9</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18284</IDValue>
</NameIdentifier> 
<PersonName>Gilles Aubagnac</PersonName> 
<PersonNameInverted>Aubagnac, Gilles</PersonNameInverted> 
<NamesBeforeKey>Gilles</NamesBeforeKey> 
<KeyNames>Aubagnac</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>10</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18285</IDValue>
</NameIdentifier> 
<PersonName>Julien Bastoen</PersonName> 
<PersonNameInverted>Bastoen, Julien</PersonNameInverted> 
<NamesBeforeKey>Julien</NamesBeforeKey> 
<KeyNames>Bastoen</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>11</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18286</IDValue>
</NameIdentifier> 
<PersonName>Arnaud Bertinet</PersonName> 
<PersonNameInverted>Bertinet, Arnaud</PersonNameInverted> 
<NamesBeforeKey>Arnaud</NamesBeforeKey> 
<KeyNames>Bertinet</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>12</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>16517</IDValue>
</NameIdentifier> 
<PersonName>Cyril Dermineur</PersonName> 
<PersonNameInverted>Dermineur, Cyril</PersonNameInverted> 
<NamesBeforeKey>Cyril</NamesBeforeKey> 
<KeyNames>Dermineur</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>13</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>9626</IDValue>
</NameIdentifier> 
<PersonName>Célia Fleury</PersonName> 
<PersonNameInverted>Fleury, Célia</PersonNameInverted> 
<NamesBeforeKey>Célia</NamesBeforeKey> 
<KeyNames>Fleury</KeyNames> 
<BiographicalNote textformat="02" language="fre">&#60;p&#62;Attaché de conservation territorial au musée de l'hôtel Sandelin à Saint-Omer&#60;/p&#62;</BiographicalNote> 
</Contributor>
<Contributor>
<SequenceNumber>14</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18287</IDValue>
</NameIdentifier> 
<PersonName>Tiphaine Hébert</PersonName> 
<PersonNameInverted>Hébert, Tiphaine</PersonNameInverted> 
<NamesBeforeKey>Tiphaine</NamesBeforeKey> 
<KeyNames>Hébert</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>15</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18288</IDValue>
</NameIdentifier> 
<PersonName>Christina Kott</PersonName> 
<PersonNameInverted>Kott, Christina</PersonNameInverted> 
<NamesBeforeKey>Christina</NamesBeforeKey> 
<KeyNames>Kott</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>16</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18229</IDValue>
</NameIdentifier> 
<PersonName>Anne Labourdette</PersonName> 
<PersonNameInverted>Labourdette, Anne</PersonNameInverted> 
<NamesBeforeKey>Anne</NamesBeforeKey> 
<KeyNames>Labourdette</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>17</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18289</IDValue>
</NameIdentifier> 
<PersonName>Astrid Lerouge</PersonName> 
<PersonNameInverted>Lerouge, Astrid</PersonNameInverted> 
<NamesBeforeKey>Astrid</NamesBeforeKey> 
<KeyNames>Lerouge</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>18</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18290</IDValue>
</NameIdentifier> 
<PersonName>Anne-Sophie Nardon</PersonName> 
<PersonNameInverted>Nardon, Anne-Sophie</PersonNameInverted> 
<NamesBeforeKey>Anne-Sophie</NamesBeforeKey> 
<KeyNames>Nardon</KeyNames> 
</Contributor>
<Contributor>
<SequenceNumber>19</SequenceNumber>
<ContributorRole>A02</ContributorRole>
<NameIdentifier>
<NameIDType>01</NameIDType>
<IDTypeName>Onixsuite Contributor ID</IDTypeName>
<IDValue>18291</IDValue>
</NameIdentifier> 
<PersonName>Heino Neumayer</PersonName> 
<PersonNameInverted>Neumayer, Heino</PersonNameInverted> 
<NamesBeforeKey>Heino</NamesBeforeKey> 
<KeyNames>Neumayer</KeyNames> 
</Contributor>
<EditionNumber>1</EditionNumber> 
<Language>
<LanguageRole>01</LanguageRole>
<LanguageCode>fre</LanguageCode>
</Language> 
<Extent>
<ExtentType>00</ExtentType>
<ExtentValue>230</ExtentValue>
<ExtentUnit>03</ExtentUnit>
</Extent> 
<NumberOfIllustrations>39</NumberOfIllustrations> 
<Subject>
<MainSubject/>
<SubjectSchemeIdentifier>10</SubjectSchemeIdentifier>
<SubjectCode>HIS000000</SubjectCode>
</Subject> 
<Subject>
<SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
<SubjectHeadingText>Musée des Beaux-Arts de Valenciennes; Musée de la Chartreuse à Douai; Musée Alfred-Danicourt à Péronne; Musée des beaux-arts de Cambrai; Musée de l'Hospice Comtesse à Lille; Palais des Beaux-Arts de Lille; Musée du Luxembourg à Paris; Musée de l'Air et de l'Espace au Bourget; Musée de Boulogne-sur-Mer; Musée de Calais; Musée de Saint-Quentin; Musée de Bailleul; Forum antique de Bavay; Musée de l'Armée; musée du Louvre; patrimoine en guerre; collection muséale; &#339;uvre disparue; muséographie; guerre 14-18; Grande Guerre; Première Guerre mondiale; restitution d'&#339;uvres; provenance; musées du Nord de la France; patrimoine culturel; archives de guerre; réquisition militaire; spoliation artistique; mémoire régionale; protection des &#339;uvres; évacuation des collections; Musenor; réseau muséal; destruction patrimoniale; conservation préventive; guerres et paix; musée et conflit; enjeux patrimoniaux; histoire des musées; base de données patrimoniale</SubjectHeadingText>
</Subject> 
<Subject>
<MainSubject/>
<SubjectSchemeIdentifier>29</SubjectSchemeIdentifier>
<SubjectSchemeVersion>2012</SubjectSchemeVersion>
<SubjectCode>3377</SubjectCode>
<SubjectHeadingText>HISTOIRE</SubjectHeadingText>
</Subject> 
<Audience>
<AudienceCodeType>01</AudienceCodeType>
<AudienceCodeValue>06</AudienceCodeValue>
</Audience> 
</DescriptiveDetail>
<CollateralDetail>
<TextContent>
<TextType>03</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02" language="fre">&#60;p&#62;Bombardés, pillés, évacués, les musées du Nord de la France ont lourdement souffert des guerres mondiales. Comment les &#339;uvres ont-elles été protégées, déplacées ou perdues ? Que reste-t-il à documenter, retrouver, restituer ?&#60;br /&#62;
En s'appuyant sur des archives inédites, des enquêtes de terrain et des analyses juridiques, cet ouvrage éclaire un aspect longtemps méconnu de l&#8217;histoire des musées, aujourd&#8217;hui au c&#339;ur des questions de provenance et de mémoire.&#60;br /&#62;
Fruit d&#8217;un travail collectif mené par l&#8217;association Musenor dans le cadre du projet &#60;em&#62;Guerres et Paix&#60;/em&#62;, ce volume montre toute l&#8217;ampleur des pertes longtemps mises à distance, mais aussi la force d&#8217;un réseau engagé à comprendre, faire connaître et transmettre l&#8217;histoire des collections régionales.&#60;br /&#62;
Un outil accessible à tous et à toutes pour penser le patrimoine en temps de crise(s).&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>02</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">Les musées du Nord de la France face aux guerres mondiales : récit documenté des blessures et des résiliences patrimoniales.</Text>
</TextContent> 
<TextContent>
<TextType>03</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02" language="eng">&#60;p&#62;Bombed, looted, evacuated &#8212; museums in northern France endured heavy losses during the two world wars. How were their collections protected, moved, or lost? What remains to be traced, documented, or returned today?&#60;br /&#62;
Based on previously unseen archives, field research, and legal analysis, this work sheds light on a long-overlooked chapter in museum history, now central to current debates on provenance and memory.&#60;br /&#62;
This publication is the result of a collective effort led by the Musenor association as part of its "Wars and Peace" project (2014&#8211;2018). It reveals the extent of the damage inflicted on public museum collections and the blind spots long ignored, as well as the strength of a committed network working to understand and share the history of local collections.&#60;br /&#62;
An accessible resource that encourages reflection on cultural heritage in times of crisis.&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>02</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">Museums in northern France during the world wars : a documented story of loss, survival, and resilience.</Text>
</TextContent> 
<TextContent>
<TextType>04</TextType>
<ContentAudience>00</ContentAudience>
<Text textformat="02">&#60;p&#62;Sigles&#60;br /&#62;
&#60;br /&#62;
Avant-propos&#60;br /&#62;
&#60;br /&#62;
Introduction &#60;br /&#62;
&#60;em&#62;Célia Fleury, Alexandre Holin, Anne Labourdette&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Cartographie&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Partie 1. Les mesures de Protection et d'évacuation du Patrimoine muséal en temps de guerre&#60;/strong&#62;&#60;br /&#62;
&#60;br /&#62;
Introduction &#60;br /&#62;
&#60;em&#62;Anne Labourdette&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Evacuer ou protéger sur place les collections pendant La Première guerre mondiale&#60;/strong&#62;&#60;br /&#62;
&#60;br /&#62;
Protéger les musées contre leur gré ?&#60;br /&#62;
L'État et les autorités locales face à la Grande Guerre&#60;br /&#62;
&#60;em&#62;Solène Amice&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Le Kunstschutz, 100 ans après. Tour d'horizon et bilan des recherches à l'échelle internationale  &#60;br /&#62;
&#60;em&#62;Christina Kott&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Les collections archéologiques de provenance française avant la Première Guerre mondiale : perte ou sauvetage ?&#60;br /&#62;
&#60;em&#62;Heino Neumayer&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
&#60;strong&#62;Les collections du Palais des Beaux-arts de Lille et du musée de douai&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Pendant Les deux guerres mondiaLes&#60;br /&#62;
« Préserver et sauvegarder »es collections du Palais des Beaux-Arts de Lille. Le devoir d&#8217;Émile Théodore, son conservateur pendant la Première Guerre mondiale &#60;br /&#62;
&#60;em&#62;Michèle Adamczyk&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Le Musée de Douai d&#8217;une guerre à l&#8217;autre (1914-1944) &#60;br /&#62;
&#60;em&#62;Anne Labourdette&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Du palais au château, l&#8217;évacuation des collections publiques françaises pendant la Seconde Guerre mondiale : l&#8217;exemple du Palais des Beaux-Arts de Lille &#60;br /&#62;
&#60;em&#62;Aurélien Arnaud&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;&#60;br /&#62;
&#60;strong&#62;Partie 2. L&#8217;impact de La Première guerre mondiale sur les musées et leurs collections : de nouveaux Projets&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Introduction&#60;br /&#62;
&#60;em&#62;Célia Fleury&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Musées et Première guerre mondiaLe : entre réquisition et enrichissement des collections muséaLes&#60;br /&#62;
L&#8217;impact de la Première Guerre mondiale sur les musées nationaux parisiens.&#60;br /&#62;
L&#8217;exemple de la cohabitation conflictuelle du Musée du Luxembourg (Paris) avec le Secours de Guerre&#60;br /&#62;
&#60;em&#62;Julien Bastoen&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Le Musée de Cambrai face à la Première Guerre mondiale&#60;br /&#62;
&#60;em&#62;Tiphaine Hébert et Astrid Lerouge&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Le Musée de l&#8217;Air et de l&#8217;Espace &#60;br /&#62;
&#60;em&#62;Gilles Aubagnac&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
La question des &#339;uvres disParues et de Leurs restitutions&#60;br /&#62;
Le statut juridique des &#339;uvres disparues des musées des Hauts-de-France entre 1914 et 1945 &#60;br /&#62;
&#60;em&#62;Maître Anne-Sophie Nardon&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
La tête ailleurs&#8230; L&#8217;épopée du gisant de Jacques de Lalaing (1421-1453) entre les deux guerres mondiales, ou comment l&#8217;effigie funéraire du « bon chevalier » eut fortuitement la tête sauve&#60;br /&#62;
&#60;em&#62;Cyril Dermineur&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Des ressources inédites pour documenter les &#339;uvres réputées disparues pendant la Grande Guerre dans le Nord de la France &#60;br /&#62;
&#60;em&#62;Célia Fleury&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Conclusion. Pour une histoire des musées (en guerre) &#60;br /&#62;
&#60;em&#62;Arnaud Bertinet&#60;/em&#62;&#60;br /&#62;
&#60;br /&#62;
Bibliographie générale &#60;br /&#62;
Sitographie &#60;br /&#62;
Index des personnes&#60;br /&#62;
Index des lieux &#60;br /&#62;
Table des illustrations&#60;br /&#62;
Biographies des auteurs&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>16</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement.</Text>
</TextContent> 
<TextContent>
<TextType>16</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">Series supervised by Michel Leymarie. This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods...</Text>
</TextContent> 
<TextContent>
<TextType>17</TextType>
<ContentAudience>00</ContentAudience>
<Text language="fre">&#60;p&#62;Fondée en 1978, la collection est aujourd'hui dirigée par Jean-François Condette, Université de Lille.&#60;/p&#62;  &#60;p&#62;La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement. Travaux d'histoire urbaine ou d'histoire rurale, d&#8217;histoire démographique, économique, sociale, politique, culturelle ou religieuse, biographies, essais historiques&#8230; constituent un large panel qui ne cesse de s&#8217;enrichir.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
</TextContent> 
<TextContent>
<TextType>17</TextType>
<ContentAudience>00</ContentAudience>
<Text language="eng">&#60;p&#62;Series supervised by Carole Christen.&#60;/p&#62;  &#60;p&#62;This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods but never favors one over the other. Studies pertaining to urban or rural history, demographic, economic, social, political, cultural or religious history, biographies and historical essays are amongst the ever-growing and wide-ranging panel of works in this series.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (online)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
</TextContent> 
<SupportingResource>
<ResourceContentType>01</ResourceContentType>
<ContentAudience>00</ContentAudience>
<ResourceMode>03</ResourceMode>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>02</ResourceVersionFeatureType>
<FeatureValue>2835</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>03</ResourceVersionFeatureType>
<FeatureValue>1890</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>06</ResourceVersionFeatureType>
<FeatureValue>e9c3e0ccec0b205db7eef781437a6b11</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>07</ResourceVersionFeatureType>
<FeatureValue>1369238</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/titles/27574100183240/images/247c0a953f3a082b83443b3dfccedffb/HIGHQ/9782757446133.jpg</ResourceLink>
<ContentDate>
<ContentDateRole>17</ContentDateRole>
<Date dateformat="13">20260317T0826Z</Date>
</ContentDate> 
</ResourceVersion>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>02</ResourceVersionFeatureType>
<FeatureValue>188</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>03</ResourceVersionFeatureType>
<FeatureValue>125</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>06</ResourceVersionFeatureType>
<FeatureValue>991145f2da299932b7fa23def865fd1f</FeatureValue>
</ResourceVersionFeature>
<ResourceVersionFeature>
<ResourceVersionFeatureType>07</ResourceVersionFeatureType>
<FeatureValue>17115</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/titles/27574100183240/images/247c0a953f3a082b83443b3dfccedffb/THUMBNAIL/9782757446133.jpg</ResourceLink>
<ContentDate>
<ContentDateRole>17</ContentDateRole>
<Date dateformat="13">20260317T0826Z</Date>
</ContentDate> 
</ResourceVersion>
</SupportingResource>
<SupportingResource>
<ResourceContentType>09</ResourceContentType>
<ContentAudience>00</ContentAudience>
<ResourceMode>03</ResourceMode>
<ResourceVersion>
<ResourceForm>02</ResourceForm>
<ResourceVersionFeature>
<ResourceVersionFeatureType>01</ResourceVersionFeatureType>
<FeatureValue>D502</FeatureValue>
</ResourceVersionFeature>
<ResourceLink>https://www.septentrion.com/resources/publishers/1.jpg</ResourceLink>
</ResourceVersion>
</SupportingResource> 
</CollateralDetail>
<PublishingDetail>
<Imprint>
<ImprintName>Presses Universitaires du Septentrion</ImprintName>
</Imprint>
<Publisher>
<PublishingRole>01</PublishingRole>
<PublisherIdentifier>
<PublisherIDType>01</PublisherIDType>
<IDTypeName>Dilicom</IDTypeName>
<IDValue>SEPTENTRION</IDValue>
</PublisherIdentifier> 
<PublisherIdentifier>
<PublisherIDType>06</PublisherIDType>
<IDValue>3052865310012</IDValue>
</PublisherIdentifier> 
<PublisherName>Presses Universitaires du Septentrion</PublisherName> 
<Website>
<WebsiteRole>01</WebsiteRole>
<WebsiteDescription>www.septentrion.com/</WebsiteDescription>
<WebsiteLink>http://www.septentrion.com/</WebsiteLink>
</Website> 
</Publisher>
<CountryOfPublication>FR</CountryOfPublication> 
<PublishingStatus>04</PublishingStatus>
<PublishingDate>
<PublishingDateRole>01</PublishingDateRole>
<Date dateformat="00">20260316</Date>
</PublishingDate> 
<PublishingDate>
<PublishingDateRole>11</PublishingDateRole>
<Date dateformat="00">20260316</Date>
</PublishingDate> 
<SalesRights>
<SalesRightsType>01</SalesRightsType>
<Territory>
<RegionsIncluded>WORLD</RegionsIncluded> 
</Territory>
</SalesRights> 
</PublishingDetail>
<RelatedMaterial>
<RelatedWork>
<WorkRelationCode>02</WorkRelationCode>
<WorkIdentifier>
<WorkIDType>01</WorkIDType>
<IDTypeName>GCOI</IDTypeName>
<IDValue>27574100183240</IDValue>
</WorkIdentifier>
</RelatedWork>
<RelatedProduct>
<ProductRelationCode>13</ProductRelationCode>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757445815</IDValue>
</ProductIdentifier>
</RelatedProduct>
<RelatedProduct>
<ProductRelationCode>06</ProductRelationCode>
<ProductIdentifier>
<ProductIDType>03</ProductIDType>
<IDValue>9782757446027</IDValue>
</ProductIdentifier>
</RelatedProduct>
</RelatedMaterial>
</Product>
</ONIXMessage>