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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Diplômée en histoire de l'art, Nathalie Dereymaeker réalise une thèse sur le plan-relief de Lille à l'Université de Lille sous la direction de Catherine Denys (professeure d'histoire), en cotutelle avec l'Université catholique de Louvain. L'histoire de l&#8217;objet, sa méthode de fabrication, sa réception et son niveau d&#8217;exactitude sont au c&#339;ur de cette étude.&#60;/p&#62;</BiographicalNote> 
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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Florence Raymond, attachée de conservation du patrimoine au Palais des Beaux-Arts depuis 2010, est en charge des collections du 18&#60;sup&#62;e&#60;/sup&#62; siècle, des plans-reliefs et des nouveaux médias. Elle a coordonné, avec Mélanie Esteves, le projet de rénovation des plans-reliefs en 2018-2019.&#60;/p&#62;</BiographicalNote> 
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<Text textformat="02" language="fre">&#60;p&#62;The relief map of Lille is part of the French collection of models of fortified towns and cities that began under Louis XIV and continued until Napoleon III. The object has had a turbulent history since it was made in Lille in 1743.&#60;br /&#62;
A veritable time machine, the relief map is a mine of priceless information about the 18th-century city and the meticulousness with which it represents the urban landscapes charms all those who see it.&#60;br /&#62;
Thanks to painstaking restoration work, the 14 relief maps deposited by the French state at the Palais des Beaux-Arts have rediscovered their freshness in a specially designed gallery. The map of Lille has been digitised and new exhibition technology now makes it easier for visitors to understand.&#60;/p&#62;</Text>
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<Text language="fre">The relief map of Lille is part of the French collection of models of fortified towns and cities that began under Louis XIV and continued until Napoleon III. The object has had a turbulent history since it was made in Lille in 1743. A veritable time machine, the relief map is a mine of priceless information about the 18th-century city and the...</Text>
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