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<Text textformat="02" language="fre">&#60;p&#62;L'activité d'architecte-bâtisseur contemporain de Viollet-le-Duc est souvent occultée par son action de restaurateur du patrimoine médiéval. Les chantiers, les projets et les écrits à ce sujet sont pourtant prolifiques, ce qui justifie pleinement une réflexion renouvelée sur ses travaux.&#60;br /&#62;
De ses chantiers à ses projets avortés, de ses théories à la transmission de ses enseignements en la matière, cet ouvrage présente l&#8217;apport de Viollet-le-Duc à l&#8217;architecture domestique, à l&#8217;habitation de son temps, par le biais de treize contributions inédites abordant un aspect souvent oublié de son &#339;uvre. Enrichissant la connaissance de l&#8217;architecture civile du XIX&#60;sup&#62;e&#60;/sup&#62; siècle, cette réflexion dépasse les problématiques esthétiques pour faire valoir son esprit réformateur et témoigne définitivement, et contrairement à ce que ses restaurations diocésaines laissent présager, de ses préoccupations modernes et de son ancrage dans la société contemporaine.&#60;/p&#62;</Text>
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<Text language="fre">L'activité d'architecte-bâtisseur contemporain de Viollet-le-Duc est souvent occultée par son action de restaurateur du patrimoine médiéval. Les chantiers, les projets et les écrits à ce sujet sont pourtant prolifiques, ce qui justifie pleinement une réflexion renouvelée sur ses travaux. De ses chantiers à ses projets avortés, de ses théories à...</Text>
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<Text language="eng">Viollet-le-Duc's activity as a contemporaneous architect and builder is often overshadowed by his actions as a restorer of medieval heritage. His implementations, his projects and his writings about this subject are nevertheless prolific, what fully justifies a renewed thinking about his works. From his construction sites to his aborted projects...</Text>
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<Text textformat="02">&#60;p&#62;Introduction : Eugène E. Viollet-le-Duc, architecte contemporain&#60;br /&#62;
&#60;em&#62;Viviane Delpech&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;La maison comme forme sociale&#60;br /&#62;
&#60;em&#62;Martin Bressani&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;La vie domestique médiévale selon Viollet-le-Duc&#60;br /&#62;
&#60;em&#62;Eric Anderson&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Pierre vs Bois. Construction en bois dans l'&#60;em&#62;Histoire de l'habitation humaine&#60;/em&#62;&#60;br /&#62;
&#60;em&#62;Masatsugu Nishida&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Entre cohérence organique et défiance sociale : la distribution selon Viollet-le-Duc&#60;br /&#62;
&#60;em&#62;Laurent Baridon&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Matières, matériaux et couleurs au château de Pupetières&#60;br /&#62;
&#60;em&#62;Arnaud Timbert&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Viollet-le-Duc. Théorie et pratique dans le projet de la maison Milon au 15, rue Douai à Paris&#60;br /&#62;
&#60;em&#62;Andrea Serrau&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Le château de M. Sabatier à Pierrefonds n&#8217;est pas de style néo-gothique. Pourquoi ?&#60;br /&#62;
&#60;em&#62;Jean-Paul Midant&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Viollet-le-Duc et le « palais Dobrée » de Nantes (1862) : un projet infructueux ?&#60;br /&#62;
&#60;em&#62;Claude Laroche&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Viollet-le-Duc et les Orléans, le chantier du château d&#8217;Eu&#60;br /&#62;
&#60;em&#62;Charlotte de Bergh&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;La collaboration de Viollet-le-Duc et Duthoit aux châteaux d&#8217;Abbadia et de Roquetaillade&#60;br /&#62;
&#60;em&#62;Viviane Delpech&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Eugène Viollet-le-Duc, Benjamin Bucknall et Woodchester Mansion. &#60;br /&#62;
Histoire d&#8217;une demeure, histoire d&#8217;une filiation&#60;br /&#62;
&#60;em&#62;Gilles Maury&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Viollet-le-Duc et l&#8217;architecture domestique en Allemagne. &#60;br /&#62;
Échanges et interactions&#60;br /&#62;
&#60;em&#62;Susann Schlesinger&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;L&#8217;héritage des théories et du savoir de Viollet-le-Duc. Quelques réflexions sur ses influences dans les &#339;uvres domestiques de Victor Horta à Bruxelles&#60;br /&#62;
&#60;em&#62;Jos Vandenbreeden&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;&#60;br /&#62;
Postface&#60;br /&#62;
&#60;em&#62;Jean-Michel Leniaud&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Remerciements&#60;br /&#62;
Liste des intervenants&#60;/p&#62;</Text>
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<Text language="fre">La collection reçoit les études consacrées à toutes les activités associées à l'architecture (projets, construction, restauration, patrimonialisation, destruction, reconstruction, restitution&#8230;) et à l'urbanisme (géographie, topographie, morphogénèse&#8230;)</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2012 par Arnaud Timbert, la collection est placée depuis 2024 sous la direction de Delphine Hanquiez (université de l'Artois).&#60;/p&#62;  &#60;p&#62;La collection reçoit les études consacrées à toutes les activités associées à l'architecture (projets, construction, restauration, patrimonialisation, destruction, reconstruction, restitution&#8230;) et à l'urbanisme (géographie, topographie, morphogénèse, flux et société&#8230;) entre l'Antiquité et le XXI&#60;sup&#62;e&#60;/sup&#62; siècle. Elle accueille en particulier des études sur les individus ou les groupes sociaux producteurs (commanditaires, architectes, artisans, entrepreneurs&#8230;), ou receveurs (usagers, historiens, sociologues&#8230;) ainsi que sur les institutions (bâtiments civils, monuments historiques, Ponts et chaussées&#8230;).&#60;/p&#62;  &#60;p&#62;&#8226; ISSN : 2780-5271 (en ligne)&#60;/p&#62;</Text>
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