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Esther Jacopin
Continuité et discontinuité au cinéma
De la 2D à la 3D stéréoscopique
Arts du spectacle - Images et sons



Edited by Giusy Pisano
From Ciné-goûters to Screenings for Cinephilie
The Cinemas of the Instituts and the Alliances françaises
Arts du spectacle - Images et sons
In the book establish an initial assessment on the life of cinemas belonging to the Instituts français and the Alliances françaises.



Edited by Kristian Feigelson, Mehmet Oztürk
Arts du spectacle - Images et sons
Turkish Screens : Plurality of Images (2000-2020).



Hugo Orts
Écrans variables
Le format d'image comme élément de mise en scène
Arts du spectacle - Images et sons
Although it is often left aside, the film aspect ratio is an element of mise en scène, which is a key component of any cinematographic experience. On this premise and through a series of precise sequence analyses from silents films up to the present…



Edited by Isabelle Marinone, Isabelle Moine-Dupuis
Cinéma et droit d'auteur
Réflexions historiques et juridiques sur la paternité du réalisateur
Arts du spectacle - Images et sons



Edited by Céline Gailleurd, Damien Marguet, Eugénie Zvonkine
Sergueï Loznitsa
Un cinéma à l'épreuve du monde
Arts du spectacle - Images et sons
Recognized worldwide, the politically engaged work of the Ukrainian director Sergei Loznitsa has established itself as unique and innovative in the contemporary cinematography.



Perrine Val
Les relations cinématographiques entre la France et la RDA
Entre camaraderie, bureaucratie et exotisme (1946-1992)
Mondes germaniques
Film exchanges between the East and West of the Iron Curtain played a decisive role in the cinema of the second half of the 20th century. Tracing the history of film relations between France and the GDR from an unprecedented cross-referencing of sources, from the post-war era until the fall of the Berlin Wall, reveals the circulation of films ...



Jacques Aumont
Doublures du visible
Voir et ne pas voir en cinéma
Arts du spectacle - Images et sons
The historical role of film is that it gave us the visible afresh, by adding time to the image. However, there remains in every picture a large part which remains invisible: such is the matter here described and explored.



Edited by Giusy Pisano
Des ciné-goûters aux séances pour les cinéphiles
Le cinéma dans les Instituts français et les Alliances françaises
Arts du spectacle - Images et sons



Jacopo Rasmi
Le hors-champ est dedans !
Michelangelo Frammartino, écologie, cinéma
Arts du spectacle - Images et sons
Following the counter-migration of the italian director Michelangelo Frammartino from Milan to the southern countryside means to be invited in a cinematic universe where the human field swarms with the off-camera of the environmental lives.



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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille