A sensitive encounter with works of Art Brut, for an aesthetic experience of the multiple forms of the feminine.
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Flavie Beuvin
What makes an interior? Designed and projected by architects, interior architects, designers, visual artists, etc., interiors are lived, practiced, read and spoken about from a critical and transdisciplinary perspective.
Analyses, projets, usages
Imma Forino, Anne Lefebvre
Salt is essential to life and to our very humanity. "Salt" regularly appears in recent books' titles. But what does this ingredient tell about us today? how can it be a ferment of artistic creation? This anthology of contemporary creations, visual as well as textual, offers some answers to these questions.
Mots et images
Christine Hoët-van-Cauwenberghe, Séverine Clément-Tarantino
La syncope envisagée d'un point de vue physiologique, littéraire, philosophique et musical et ses représentations dans l'art depuis le XVIe siècle.
Syncopes et extases (XVIe – XXIe siècles)
Véronique Dalmasso, Stéphanie Jamet
From architecture to music, from theory to practice, from art to science, Iannis Xenakis set an example of free movement, always guided by a universal aim of creation.
Séverine Bridoux-Michel
May 1968 at the University of Architecture in Turin. The young Gruppo Strum and Studio 65 designers took an active part in student protests. These events fixed their project practice in a political dimension, engraved in the design/politics/Italianness triad.
Le design politique à Turin de Mai 68 aux années de plomb
Pia Rigaldiès
Although it is often left aside, the film aspect ratio is an element of mise en scène, which is a key component of any cinematographic experience. On this premise and through a series of precise sequence analyses from silents films up to the present…
Le format d'image comme élément de mise en scène
Hugo Orts
Lost human face, absent-present image, lurking in the meanders of the memory. Like a pilgrim anxious to lead us along the best path, Miguel Almiron describes the works of artists and researchers obsessed with this lost image, which they bring back to life through innovative techniques and in the most diverse socio-cultural environments.
Miguel Almiron
La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques.
Brigitte Joinnault
The historical role of film is that it gave us the visible afresh, by adding time to the image. However, there remains in every picture a large part which remains invisible: such is the matter here described and explored.
Voir et ne pas voir en cinéma
Jacques Aumont
The papers on cultural diplomacy are quite substantial, very few concern the production and distribution of films. This book fills this gap with the research project that led to it: Exporting and supporting cinema in the context of Instituts français and Alliances françaises.
Le cinéma dans les Instituts français et les Alliances françaises
Giusy Pisano
Following the counter-migration of the italian director Michelangelo Frammartino from Milan to the southern countryside means to be invited in a cinematic universe where the human field swarms with the off-camera of the environmental lives.
Michelangelo Frammartino, écologie, cinéma
Jacopo Rasmi
Does a film about a writer represent a life, an institutional position, or a discourse? Is the goal of literary television programs or on-line critical videos to make literary more accessible? Questions of cultural heritage and education, as well as the "star" status of writers, seem to dominate cinematographic and televisual approaches to ...
Filmer la littérature
Sylvain Dreyer, Dominique Vaugeois
Since the opening of European borders in the 1990s, horizon landscapes have been challenged. Three European countries allow us to examine the limits of their horizons: landscapes in film become a memory-screen testifying to important European changes and numerous interpretations of their national horizons.
Pays-Bas, Espagne, ex-Yougoslavie
Pietsie Feenstra
From time immemorial, illusionist magicians have used the new technical means in their show.
Les Arts trompeurs. Machines. Magie. Médias
Miguel Almiron, Sébastien Bazou
Designed in 1787, the Panorama offered the public a grandiose representation giving the feeling of visiting a city or reliving a historical event.
Jean-Roch Bouiller, Ségolène Le Men
This volume is based on the results of a survey about film spectatorship and the uses of films today that was carried out in two North African (Morocco and Tunisia), and two Sub-Saharan (Tchad and Togo) countries. The survey with 3000 respondents used a similar questionnaire adapted to local specificities in the different countries. The analysis of
Maroc, Tchad, Togo, Tunisie
Claude Forest, Patricia Caillé
Segundo de Chomón (1871-1929) is one of the undisputed masters in first cinematographic tricks and early coloring of moving images / early moving images coloring.
Truqueur, coloriste, cinématographiste… et pionnier du cinématographe
Réjane Hamus-Vallée, Jacques Malthête
