A filmmaker with a radical ethical approach and aesthetic whose work is examined here in all its breadth, from fiction films to installations.
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Films et installations – passages esthétiques
Olga Kobryn, Macha Ovtchinnikova
An original and exhaustive approach to a new cinematographic practice.
Louise Gib
John Lvoff
To probe the place of silence in contemporary cinema obliges us to examine not only its audiovisual staging but also what it implies, suggests or communicates to the spectator.
Histoire et esthétique
Louis Daubresse
The first academic work to tackle the issue of French special effects, the diversity of approaches, authors, genres and periods covered makes this a unique resource of its kind and a complete and unpublished reference of analytical elements on the subject.
Les effets spéciaux en France
Réjane Hamus-Vallée, Giusy Pisano
Establishing a dialogue between lawyers and film historians, the book offers a series of reflections on the professional identity of the film director.
Réflexions historiques et juridiques sur la paternité du réalisateur
Isabelle Marinone, Isabelle Moine-Dupuis
At the crossroads of cultural history and aesthetic analysis, this book plunges us into the exploration of a pivotal period in the history of cinema.
Une histoire d'images
Mélissa Gignac
A transnational history of Western television series during the Cold War, with a focus on how World War II was rewritten to suit the political and economic interests of the time.
Les réécritures de la Seconde Guerre mondiale dans les séries télévisées au temps de la guerre froide
Marjolaine Boutet
In the book establish an initial assessment on the life of cinemas belonging to the Instituts français and the Alliances françaises.
The Cinemas of the Instituts and the Alliances françaises
Giusy Pisano
Sophia Kornitsky
In the light of her experience as a script supervisor, the author defines film continuity. This gives her analytical tools to study the aesthetics of stereoscopic 3D films as well as food for thoughts she put into practice while directing two stereo-3D films.
De la 2D à la 3D stéréoscopique
Esther Jacopin
Turkish Screens : Plurality of Images (2000-2020).
Kristian Feigelson, Mehmet Oztürk
Although it is often left aside, the film aspect ratio is an element of mise en scène, which is a key component of any cinematographic experience. On this premise and through a series of precise sequence analyses from silents films up to the present…
Le format d'image comme élément de mise en scène
Hugo Orts
Recognized worldwide, the politically engaged work of the Ukrainian director Sergei Loznitsa has established itself as unique and innovative in the contemporary cinematography.
Un cinéma à l'épreuve du monde
Céline Gailleurd, Damien Marguet
Film exchanges between the East and West of the Iron Curtain played a decisive role in the cinema of the second half of the 20th century. Tracing the history of film relations between France and the GDR from an unprecedented cross-referencing of sources, from the post-war era until the fall of the Berlin Wall, reveals the circulation of films ...
Entre camaraderie, bureaucratie et exotisme (1946-1992)
Perrine Val
The historical role of film is that it gave us the visible afresh, by adding time to the image. However, there remains in every picture a large part which remains invisible: such is the matter here described and explored.
Voir et ne pas voir en cinéma
Jacques Aumont
The papers on cultural diplomacy are quite substantial, very few concern the production and distribution of films. This book fills this gap with the research project that led to it: Exporting and supporting cinema in the context of Instituts français and Alliances françaises.
Le cinéma dans les Instituts français et les Alliances françaises
Following the counter-migration of the italian director Michelangelo Frammartino from Milan to the southern countryside means to be invited in a cinematic universe where the human field swarms with the off-camera of the environmental lives.
Michelangelo Frammartino, écologie, cinéma
Jacopo Rasmi
Does a film about a writer represent a life, an institutional position, or a discourse? Is the goal of literary television programs or on-line critical videos to make literary more accessible? Questions of cultural heritage and education, as well as the "star" status of writers, seem to dominate cinematographic and televisual approaches to ...
Filmer la littérature
Sylvain Dreyer, Dominique Vaugeois
Designed in 1787, the Panorama offered the public a grandiose representation giving the feeling of visiting a city or reliving a historical event.
Jean-Roch Bouiller, Ségolène Le Men
