The first academic work to tackle the issue of French special effects, the diversity of approaches, authors, genres and periods covered makes this a unique resource of its kind and a complete and unpublished reference of analytical elements on the subject.
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Les effets spéciaux en France
Réjane Hamus-Vallée, Giusy Pisano
The stereoscopic illusion is, most of the time, associated with digital images. Such approach occludes its history: indeed, the stereoscopic illusion is the result of a century of research, that aim at wondering people by manipulating their senses thanks to the impression of « relief » stereoscopic images give them.
Archéologie et pratiques contemporaines : photographie, cinéma, arts numériques
Miguel Almiron, Esther Jacopin
