Le recadrage numérique au cinéma
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Le recadrage numérique au cinéma

Louise Gib
Preface by John Lvoff

Arts du spectacle - Images et sons

Reframing in post-production has been practiced for a long time on still images, and is becoming an increasingly popular tool in audiovisual with the continuous development of digital cameras. Filming in high resolution to manipulate the frame after filming is now common. But what does this process bring and what does it imply in the making of a film? Through the book, the author questions this new practice in all its aspects, both technical and artistic as well as economic. Interested in very diverse works, from silent cinema to Internet videos and manga, this reflection concludes with a practical exploration with the production of a feature film, Chop Chop Mimi (og. Mimi dans la nuit).

Title Le recadrage numérique au cinéma
Edition First Edition
Author Louise Gib
Foreword by Réjane Hamus-Vallée, Baptiste Heynemann, Giusy Pisano
Preface by John Lvoff
ISSN 19554893
Publisher Presses Universitaires du Septentrion
BISAC Subject Heading PER004000 PERFORMING ARTS / Film
Dewey (abridged) 700-799 Arts
790 Recreational & performing arts
Audience 06 Professional and scholarly
CLIL (Version 2013-2019) 3689 Cinéma
Title First Published 16 April 2024
Format Paperback
Nb of pages 150 p.
ISBN-10 2757440934
ISBN-13 978-2-7574-4093-3
GTIN13 (EAN13) 9782757440933
Reference no. 2254
Publication Date 16 April 2024
Main content page count 150
Dimensions 16 x 24 x 0.9 cm
Weight 263 gr
List Price 19.00 €
 



Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille