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<TitleText textcase="01">Figurer la lecture</TitleText> 
<Subtitle textcase="01">Adresse, partage et théories dans le récit contemporain</Subtitle>
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<Text textformat="02" language="fre">&#60;p&#62;En écho à l'étude des enjeux pratiques de la lecture par la théorie littéraire, les récits contemporains s&#8217;emparent des figures de lecteurs et de lectrices pour représenter, depuis la fiction, les pratiques interprétatives actuelles. Les années 1990 à 2010 opèrent ainsi un changement de régime de lisibilité : contre le partage des lectures savantes et courantes, les imaginaires narratifs de la lecture interrogent les usages des textes, et renégocient la place de l&#8217;herméneutique traditionnelle et de ses pratiques de déchiffrement. Motif littéraire autant qu&#8217;objet théorique, les figures contemporaines de la lecture attestent de la fonction critique des fictions, dans un contexte médiatique et numérique en mouvement qui valorise, jusqu&#8217;à l&#8217;injonction, la question de l&#8217;efficacité. En témoignent &#8211; parmi d&#8217;autres &#8211; les textes d&#8217;Arno Bertina, Éric Chevillard, Christine Montalbetti, Emmanuelle Pireyre, Olivia Rosenthal, Pierre Senges, Camille de Toledo, ou encore des oulipiens Jacques Roubaud, Anne F. Garréta et Paul Fournel.&#60;/p&#62;</Text>
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<Text language="fre">Les récits contemporains, au tournant du XXIe siècle, ont souvent figuré la lecture : ils donnent à lire de nouvelles façons d'envisager la lecture littéraire, comme transmission, comme adresse et comme partage.</Text>
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<Text textformat="02" language="eng">&#60;p&#62;Reflecting literary theory's study of the practical forms of reading, contemporary narratives use the figures of readers to represent current interpretative practices through fiction. Between 1990 and 2010, there has been a shift in the ways of reading: against the division between scholarly and everyday reading, narrative representations of reading are questioning the uses to which texts are put, and renegotiating the place of traditional hermeneutics and its practices of deciphering. As a literary motif and as a theoretical object, contemporary figures of reading attest to the critical function of fictions, in a constantly changing media and digital context that emphasises, to the point of injunction, the question of effectiveness. These include texts by Arno Bertina, Éric Chevillard, Christine Montalbetti, Emmanuelle Pireyre, Olivia Rosenthal, Pierre Senges, Camille de Toledo, and the oulipiens Jacques Roubaud, Anne F. Garréta and Paul Fournel.&#60;/p&#62;</Text>
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<Text language="eng">Contemporary narratives, at the turn of the 21st century, have often depicted reading: they offer new ways of considering literary reading, as transmission, as address and as sharing.</Text>
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<Text textformat="02">&#60;p&#62;&#60;strong&#62;Introduction. Des théories sur le vif&#60;/strong&#62;&#60;br /&#62;
&#60;em&#62;&#60;strong&#62;Chapitre I. Peut-on encore déconcerter son lecteur ?&#60;/strong&#62;&#60;/em&#62;&#60;br /&#62;
I. Figurer, convoquer le destinataire : gestes d'ouverture critique&#60;br /&#62;
II. Pactes de lecture et enjeux de pouvoir&#60;br /&#62;
III. Des formalismes aux pragmatismes : situations contemporaines&#60;br /&#62;
IV. Filiations parallèles : Perec et l'Oulipo&#60;br /&#62;
&#60;br /&#62;
&#60;em&#62;&#60;strong&#62;Chapitre II. Lire contre. Récits herméneutiques et partage des savoirs littéraires &#60;/strong&#62;&#60;/em&#62;&#60;br /&#62;
I. Des récits herméneutiques&#60;br /&#62;
II. Les parodies éditoriales d&#8217;Éric Chevillard : lire contre l&#8217;autorité critique&#60;br /&#62;
III. Portrait de l&#8217;auteur en herméneute : affirmations auctoriales&#60;br /&#62;
IV. Vertiges apocryphes et régimes de croyance : lectures dissidentes&#60;br /&#62;
V. Mémoires manquantes à l&#8217;ère numérique et rapports de force médiatiques&#60;br /&#62;
&#60;br /&#62;
&#60;em&#62;&#60;strong&#62;Chapitre III. La voix et l&#8217;adresse : stratégies d&#8217;implication lectorale &#60;/strong&#62;&#60;/em&#62;&#60;br /&#62;
I. Le récit contemporain à l&#8217;épreuve de la voix &#60;br /&#62;
II. Inflexions pratiques des théories de la lecture&#60;br /&#62;
III. Fictions d&#8217;interlocution et force perlocutoire de l&#8217;adresse : enjeux pratiques&#60;br /&#62;
&#60;br /&#62;
&#60;em&#62;&#60;strong&#62;Chapitre IV. Lire à l&#8217;ère numérique : critique de l&#8217;interaction&#60;/strong&#62;&#60;/em&#62;&#60;br /&#62;
I. Livres vs écrans. Généalogie d&#8217;une mise en concurrence&#60;br /&#62;
II. Convergences théoriques et formalismes recyclés&#60;br /&#62;
III. Imaginaires numériques et figurations de la participation&#60;br /&#62;
&#60;br /&#62;
&#60;em&#62;&#60;strong&#62;Chapitre V. Circulations interprétatives. Faire effet en contexte intermédial &#60;/strong&#62;&#60;/em&#62;&#60;br /&#62;
I. La lecture et ses figures comme circulation : ferments romanesques&#60;br /&#62;
II. Interprétation et effectivité intermédiales&#60;br /&#62;
III. Le monde en fiction, le récit en commentaire&#60;br /&#62;
IV. (Ré-)Interpréter la réception&#60;br /&#62;
V. Sorties interprétatives : trois exemples de performances littéraires&#60;br /&#62;
&#60;br /&#62;
Conclusion. Des poétiques de l&#8217;interprétation &#60;br /&#62;
Bibliographie des ouvrages consultés &#60;br /&#62;
Index littéraire et théorique &#60;br /&#62;
Remerciements .&#60;/p&#62;</Text>
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<Text language="fre">La collection offre de nouvelles saisies critiques de la littérature du 20e siècle. Elle rassemble des études de référence sur le domaine contemporain, dont elle contribue à conforter l'intérêt universitaire. Attentive à tous les genres littéraires et &#8230;</Text>
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<Text language="eng">The Perspectives series offers new contributions to critical works concerned with 20th century literature. It gathers reference studies on contemporary literature whose academic values are highlighted and reinforced. Taking into account all literature...</Text>
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<Text language="fre">&#60;p&#62;Fondée en 2000, la collection alors dirigée par Dominique Viart, Université Paris-Ouest Nanterre La Défense est dirigée depuis septembre 2025 par Aurélie Adler, Université de Picardie Jules Verne.&#60;/p&#62;  &#60;p&#62;La collection offre de nouvelles saisies critiques de la littérature du 20&#60;sup&#62;e&#60;/sup&#62; siècle. Elle rassemble des études de référence sur le domaine contemporain, dont elle contribue à conforter l'intérêt universitaire.&#60;/p&#62;  &#60;p&#62;Attentive à tous les genres littéraires et aux relations qu'ils entretiennent avec les arts et les autres disciplines de la pensée, elle accueille les travaux les plus innovants des chercheurs français et étrangers.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;2780-9889&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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<Text language="eng">&#60;p&#62;Series created in 2000, the collection then led by Dominique Viart, University Paris-Ouest Nanterre La Défense, has been led since September 2025 by Aurélie Adler, University of Picardie Jules Verne.&#60;/p&#62;  &#60;p&#62;The &#60;em&#62;Perspectives&#60;/em&#62; series offers new contributions to critical works concerned with 20&#60;sup&#62;th &#60;/sup&#62;century literature. It gathers reference studies on contemporary literature whose academic values are highlighted and reinforced. Taking into account all literature genres and their relationships with other artistic forms and cultural disciplines, this series brings together the most innovative works of French and foreign researchers.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;2780-9889&#60;!--EndFragment--&#62; (online)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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