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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Assistante à l'Univeristé de Lille III &#60;/p&#62;</BiographicalNote> 
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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Alain Lottin (1935-2017) était professeur d'histoire moderne, spécialiste notamment des questions religieuses, sociales et politiques des provinces françaises du Nord, aux XVI&#60;sup&#62;e&#60;/sup&#62; et XVII&#60;sup&#62;e&#60;/sup&#62; siècles.&#60;/p&#62;</BiographicalNote> 
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<Text textformat="02" language="fre">&#60;p&#62;
Une vague iconoclaste déferle en août 1566 sur la Flandre, le Hainaut, les environs de Lille et de Douai. Les protestants, qui y avaient de nombreux adeptes, veulent transformer les églises en temples ; la « nouvelle religion » semble supplanter l'ancienne. Mais Philippe II d'Espagne, qui commande en ces territoires, n&#8217;accepte aucun compromis et envoie le duc d&#8217;Albe et ses troupes rétablir l&#8217;ordre et châtier les Flamands. Le comte d&#8217;Egmont est décapité Une lourde répression s&#8217;abat sur les habitants : c&#8217;est le temps des martyrs. Bannis et émigrés gagnent les refuges hollandais ou anglais.&#60;br /&#62;
Après avoir retracé l&#8217;essentiel de cette histoire, les auteurs s&#8217;efforcent de répondre à quelques grandes interrogations. Pourquoi cette résurgence de l&#8217;iconoclasme ? Y -a-t-il une pédagogie de la destruction ? Quel est le lien entre ce mouvement et la conjoncture ? Qui sont les casseurs ? Le mouvement est-il spontané ou prémédité ? Quel est le rôle des seigneurs dans cette révolte ?&#60;br /&#62;
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<Text language="fre">Une vague iconoclaste déferle en août 1566 sur la Flandre, le Hainaut, les environs de Lille et de Douai. Les protestants, qui y avaient de nombreux adeptes, veulent transformer les églises en temples ; la « nouvelle religion » semble supplanter...</Text>
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<Text language="fre">La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement.</Text>
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<Text language="eng">Series supervised by Michel Leymarie. This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods...</Text>
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<Text language="fre">&#60;p&#62;Fondée en 1978, la collection est aujourd'hui dirigée par Jean-François Condette, Université de Lille.&#60;/p&#62;  &#60;p&#62;La collection reçoit les études historiques individuelles ou collectives des époques médiévale, moderne et contemporaine. Forte de 230 titres, elle met en évidence les différentes méthodes historiques sans en privilégier aucune particulièrement. Travaux d'histoire urbaine ou d'histoire rurale, d&#8217;histoire démographique, économique, sociale, politique, culturelle ou religieuse, biographies, essais historiques&#8230; constituent un large panel qui ne cesse de s&#8217;enrichir.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (en ligne)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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<Text language="eng">&#60;p&#62;Series supervised by Carole Christen.&#60;/p&#62;  &#60;p&#62;This series is concerned with individual and collective historical studies of the medieval, modern and contemporaries eras. With already 140 titles in its catalogue, it puts forwards the various historical methods but never favors one over the other. Studies pertaining to urban or rural history, demographic, economic, social, political, cultural or religious history, biographies and historical essays are amongst the ever-growing and wide-ranging panel of works in this series.&#60;/p&#62;  &#60;p&#62;&#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;&#8226; ISSN : &#60;!--StartFragment--&#62;&#60;!--StartFragment--&#62;2780-7827&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62; (online)&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</Text>
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