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Quel film voir ?
Pour une socioéconomie de la demande de cinéma
Arts du spectacle - Images et sons
Que demande-t-on ? Qu'est-ce qui se trouve en jeu lors de chacun de nos achats, de nos consommations, y compris culturelles ? Quel film voir ? La théorie économique dominante, considérant chaque individu comme un être rationnel, présuppose que son comportement est avant tout dicté par la recherche de son intérêt. Elle a imposé la conception d'une autonomie du désir du sujet, supposé s'orienter vers tous les objets de manière indépendante, et ne rechercher qu’une maximisation de sa satisfaction. Pourtant, les biens et les services ne gravitent pas librement autour de chaque individu, qui serait un parfait agent indépendant des autres humains, tel un souverain en possession de toutes les informations nécessaires pour effectuer ses choix. Tentant de saisir cette demande surprenante, en s’intéressant particulièrement au cinéma, l’auteur a tenté de décrypter le mécanisme fortement voilé qui la structure dans nos comportements, sur tous les marchés. En essayant de nourrir l’approche économique d’autres sciences, et notamment la sociologie, l’anthropologie, la neurobiologie et les travaux de René Girard, il a tenté de montrer que, loin d’être un sujet autonome décochant la flèche de son désir en direction d’un bien optimalement choisi, l’humain adopte au contraire un comportement totalement hétéronome, mimétique, son regard se portant d’abord sur un autre humain, médiateur souvent involontaire qui l’oriente à son insu vers un objet dont il est déjà possesseur. Si les produits offerts et les incantations autour de la « diversité » n’ont jamais été aussi nombreux, l’accroissement du nombre et de la rapidité des supports médiatiques a surtout provoqué l’accélération du processus mimétique, induisant une concentration accrue de la demande sur quelques biens, y compris culturels tels les livres, disques, ou films.
Title
Quel film voir ?
Subtitle
Pour une socioéconomie de la demande de cinéma
Edition
First Edition
ISSN
19554893
Publisher
Presses Universitaires du Septentrion
BISAC Subject Heading
PER004000 PERFORMING ARTS / Film
Audience
05 College/higher education
CLIL (Version 2013-2019)
3689 Cinéma
Title First Published
01 January 2010
Subject Scheme Identifier Code
93 Thema subject category: ATF
Includes
Appendices
Nb of pages
420 p. Appendices .
ISBN-10
2757401416
ISBN-13
978-2-7574-0141-5
GTIN13 (EAN13)
9782757401415
Reference no.
1206
Publication Date
01 January 2010
Main content page count 420
Dimensions
16 x 24 x 2.3 cm
Weight
664 gr
List Price
27.00 €
Giusy Pisano École nationale supérieure Louis-Lumière
Contributions:
Edited by Réjane Hamus-Vallée, Giusy Pisano, Caroline Renouard
Arts du spectacle - Images et sons
The first academic work to tackle the issue of French special effects, the diversity of approaches, authors, genres and periods covered makes this a unique resource of its kind and a complete and unpublished reference of analytical elements on the subject.
Edited by Giusy Pisano
Arts du spectacle - Images et sons
In the book establish an initial assessment on the life of cinemas belonging to the Instituts français and the Alliances françaises.
Edited by Giusy Pisano
Arts du spectacle - Images et sons
The papers on cultural diplomacy are quite substantial, very few concern the production and distribution of films. This book fills this gap with the research project that led to it: Exporting and supporting cinema in the context of Instituts français and Alliances françaises.
Edited by Miguel Almiron, Sébastien Bazou, Giusy Pisano
Arts du spectacle - Images et sons
From time immemorial, illusionist magicians have used the new technical means in their show.
Edited by Jean-Roch Bouiller, Ségolène Le Men, Laurence Madeline, Giusy Pisano
Arts du spectacle - Images et sons
Designed in 1787, the Panorama offered the public a grandiose representation giving the feeling of visiting a city or reliving a historical event.
Edited by Frank Kessler, Jean-Marc Larrue, Giusy Pisano
Arts du spectacle - Images et sons
From the stage to the cinema, from television to augmented and virtual realities, from circus performances to aquatic shows, the magician's practice has not ceased to be renewed and metamorphosed.
Edited by Miguel Almiron, Esther Jacopin, Giusy Pisano
Arts du spectacle - Images et sons
The stereoscopic illusion is, most of the time, associated with digital images. Such approach occludes its history: indeed, the stereoscopic illusion is the result of a century of research, that aim at wondering people by manipulating their senses thanks to the impression of « relief » stereoscopic images give them.
Edited by Jean-Marc Larrue, Giusy Pisano
Arts du spectacle - Images et sons
Edited by Réjane Hamus-Vallée, Giusy Pisano, Caroline Renouard
Arts du spectacle - Images et sons
The first academic work to tackle the issue of French special effects, the diversity of approaches, authors, genres and periods covered makes this a unique resource of its kind and a complete and unpublished reference of analytical elements on the subject.
Louise Gib
Arts du spectacle - Images et sons
An original and exhaustive approach to a new cinematographic practice.
Françoise Pélisson-Karro
Arts du spectacle - Images et sons
Emmanuel Plasseraud
L'Art des foules
Théories de la réception filmique comme phénomène collectif en France (1908-1930)
Arts du spectacle - Images et sons
Michel Serceau
Arts du spectacle - Images et sons
Edited by Réjane Hamus-Vallée, Giusy Pisano, Caroline Renouard
Arts du spectacle - Images et sons
The first academic work to tackle the issue of French special effects, the diversity of approaches, authors, genres and periods covered makes this a unique resource of its kind and a complete and unpublished reference of analytical elements on the subject.
Edited by Giusy Pisano
Arts du spectacle - Images et sons
The papers on cultural diplomacy are quite substantial, very few concern the production and distribution of films. This book fills this gap with the research project that led to it: Exporting and supporting cinema in the context of Instituts français and Alliances françaises.
Edited by Miguel Almiron, Sébastien Bazou, Giusy Pisano
Arts du spectacle - Images et sons
From time immemorial, illusionist magicians have used the new technical means in their show.
Edited by Jean-Roch Bouiller, Ségolène Le Men, Laurence Madeline, Giusy Pisano
Arts du spectacle - Images et sons
Designed in 1787, the Panorama offered the public a grandiose representation giving the feeling of visiting a city or reliving a historical event.
Edited by Frank Kessler, Jean-Marc Larrue, Giusy Pisano
Arts du spectacle - Images et sons
From the stage to the cinema, from television to augmented and virtual realities, from circus performances to aquatic shows, the magician's practice has not ceased to be renewed and metamorphosed.
Edited by Miguel Almiron, Esther Jacopin, Giusy Pisano
Arts du spectacle - Images et sons
The stereoscopic illusion is, most of the time, associated with digital images. Such approach occludes its history: indeed, the stereoscopic illusion is the result of a century of research, that aim at wondering people by manipulating their senses thanks to the impression of « relief » stereoscopic images give them.
Edited by Pascale Alexandre-Bergues, Martin Laliberté
Arts du spectacle - Images et sons
Long despised by the critics, popular shows are studied in this book as a media culture evolving through different forms of aural and visual representations, theatre, cinema, music-hall and others, often with a hypermediatic dimension.
Edited by Nicole Brenez, Isabelle Marinone
Arts du spectacle - Images et sons
Edited by André Habib, Michel Marie
Arts du spectacle - Images et sons
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