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Véronique Perruchon
Arts du spectacle - Images et sons
André Engel, French atypical stage director, has been working since 1972 for theater and opera. As he met the theater's création by chance, he first maked his shows " hors les murs" (riding center, factory, shed) with the same artistique team, the drama advisors Bernard Pautrat then Dominique Muller, decorator Nicky Rieti and lighting designer ...

Edited by Sylvain Dreyer, Dominique Vaugeois
La critique d'art à l'écran
Les arts plastiques
Arts du spectacle - Images et sons
Can film renew our relation to the visual arts? Does film offer a specific type of critical discourse on works of art, art history or esthetics ? Within the domain of « films on art » which have recently gained in visibility, the goal of this volume is to delimit the zone of exchanges between the cinema and the study of the visual arts.

Edited by Miguel Almiron, Esther Jacopin, Giusy Pisano
Stéréoscopie et illusion
Archéologie et pratiques contemporaines : photographie, cinéma, arts numériques
Arts du spectacle - Images et sons
The stereoscopic illusion is, most of the time, associated with digital images. Such approach occludes its history: indeed, the stereoscopic illusion is the result of a century of research, that aim at wondering people by manipulating their senses thanks to the impression of « relief » stereoscopic images give them.

Edited by Eugénie Zvonkine
Arts du spectacle - Images et sons
Russian, European and American specialists contributed to this volume on contemporary Russian cinema of the 1990's and the 21st century. It explores the favourite themes, the aesthetic innovations of this cinematography, as well as it's relationship with it’s audiences and the State.

Edited by Claude Forest, Patricia Caillé
Arts du spectacle - Images et sons
While cinemas have been closing across the African continent, film production has boomed and access to film has considerably increased for urban dwellers. How do people watch films today? Which films do they watch? Does this still count as cinema? The essays in this volume explore spectatorship in Africa.

Philippe Guisgand
Accords intimes
Danse et musique chez Anne Teresa De Keersmaeker
Esthétique et sciences des arts
The Flemish choreographer Anne Teresa de Keersmaeker was always taken away from the idea according to which, in contemporary dance, music and choreography were independent.

Edited by Guillaume Robin, Jean-Louis Georget
Allemagne d'aujourd'hui, n°220/avril - juin 2017
La danse dans l'espace germanique

Edited by Marianne Bouchardon, Ariane Ferry
Arts du spectacle - Théâtre
Throughout history, French theatre showed great confidence in its supremacy over foreign theatres - whether ancient or contemporary. Such a certainty was reinforced by the success of Parisian plays all over Europe.

Edited by Marianne Beauviche, Jean Mortier
Allemagne d'aujourd'hui, n°219/janvier - mars 2017
Les artistes alternatifs de la RDA des années 1980

Edited by Claude Forest
Arts du spectacle - Images et sons
A major fact since the end of the 20th century has been the increasing participation of internationalisation in the financing of film and audiovisual productions. Certain States strongly encourage their production, particularly tax wise, thus modifying the scope of international alliances and both quantitative and qualitative levels of films and...

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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille