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Edited by Sébastien Denis, Jérémy Houillère
Cirque, cinéma et attractions
Intermédialité et circulation des formes circassiennes
Arts du spectacle - Images et sons
Circus and cinema have often been thought together for a long time, but in terms of themes and incorporation: it is the cinema which seizes the circus to appropriate its universe, its characters, its stories, and vice versa. But the fruitfulness of the links that unite the two practices can not be limited to a one way ticket. Circus and cinema...



Matthieu Kolatte
Le cinéma taiwanais
Son histoire, ses réalisateurs et leurs films
Arts du spectacle - Images et sons
The works of directors such as Hou Hsiao-hsien, Tsai Ming-liang, Ang Lee, Edward Yang have already secured their place in the history of film. But beyond them, what do we know about Taiwan cinema?



Natacha Pfeiffer, Laurent Van Eynde
Esthétique et sciences des arts
Anthony Mann. Arpenter l'image " is the first book in French which offers an analysis of the major films of one of the most important classic Hollywood directors, Anthony Mann (1906-1967).



Marianne Bloch-Robin
Carlos Saura
Paroles et musique au cinéma
Arts du spectacle - Images et sons
From the cinematographic work of Spanish film Carlos Saura, this book focuses on the multiple narrative and aesthetic functions of vocal music in fictional films.



Edited by Claude Forest
Produire des films
Afriques et Moyen Orient
Arts du spectacle - Images et sons
In countries with an enormous film supply coming essentially from other continents, but with its own (albeit irregular and sometimes non-existent) film production, what have been the dominant modes of production? What has been the impact of the digital revolution on the modes of production? What are the economic, industrial and social issues raised



Edited by Frank Kessler, Jean-Marc Larrue, Giusy Pisano
Arts du spectacle - Images et sons
From the stage to the cinema, from television to augmented and virtual realities, from circus performances to aquatic shows, the magician's practice has not ceased to be renewed and metamorphosed.



Edited by Sylvain Dreyer, Dominique Vaugeois
La critique d'art à l'écran
Les arts plastiques
Arts du spectacle - Images et sons
Can film renew our relation to the visual arts? Does film offer a specific type of critical discourse on works of art, art history or esthetics ? Within the domain of « films on art » which have recently gained in visibility, the goal of this volume is to delimit the zone of exchanges between the cinema and the study of the visual arts.



Edited by Hélène Camarade, Elizabeth Guilhamon, Matthias Steinle, Hélène Yèche
Mondes germaniques
After almost three decades since the collapse of the GDR, the image of East Germany is still present in television and film, mainly thanks to productions such as Good Bye, Lenin! and The Lives of Others that have deeply influenced our perception of the fall of the Berlin Wall and of life under communism. The primary scope of this book is to not...



Edited by Miguel Almiron, Esther Jacopin, Giusy Pisano
Stéréoscopie et illusion
Archéologie et pratiques contemporaines : photographie, cinéma, arts numériques
Arts du spectacle - Images et sons
The stereoscopic illusion is, most of the time, associated with digital images. Such approach occludes its history: indeed, the stereoscopic illusion is the result of a century of research, that aim at wondering people by manipulating their senses thanks to the impression of « relief » stereoscopic images give them.



Edited by Eugénie Zvonkine
Arts du spectacle - Images et sons
Russian, European and American specialists contributed to this volume on contemporary Russian cinema of the 1990's and the 21st century. It explores the favourite themes, the aesthetic innovations of this cinematography, as well as it's relationship with it’s audiences and the State.



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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille