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Natacha Pfeiffer, Laurent Van Eynde
Esthétique et sciences des arts
Anthony Mann. Arpenter l'image " is the first book in French which offers an analysis of the major films of one of the most important classic Hollywood directors, Anthony Mann (1906-1967).



Emmanuel Plasseraud
L'Art des foules
Théories de la réception filmique comme phénomène collectif en France (1908-1930)
Arts du spectacle - Images et sons



Edited by André Habib, Michel Marie
L'avenir de la mémoire
Patrimoine, restauration et réemploi cinématographiques
Arts du spectacle - Images et sons



Camille Deprez
Bollywood
cinéma et mondialisation
Arts du spectacle - Images et sons



Marianne Bloch-Robin
Carlos Saura
Paroles et musique au cinéma
Arts du spectacle - Images et sons
From the cinematographic work of Spanish film Carlos Saura, this book focuses on the multiple narrative and aesthetic functions of vocal music in fictional films.



Emmanuel Plasseraud
Arts du spectacle - Images et sons



Edited by Eugénie Zvonkine
Arts du spectacle - Images et sons
Russian, European and American specialists contributed to this volume on contemporary Russian cinema of the 1990's and the 21st century. It explores the favourite themes, the aesthetic innovations of this cinematography, as well as it's relationship with it’s audiences and the State.



Matthieu Kolatte
Le cinéma taiwanais
Son histoire, ses réalisateurs et leurs films
Arts du spectacle - Images et sons
The works of directors such as Hou Hsiao-hsien, Tsai Ming-liang, Ang Lee, Edward Yang have already secured their place in the history of film. But beyond them, what do we know about Taiwan cinema?



Edited by Nicole Brenez, Isabelle Marinone
Cinémas libertaires
Au service des forces de transgression et de révolte
Arts du spectacle - Images et sons



Edited by Sébastien Denis, Jérémy Houillère
Cirque, cinéma et attractions
Intermédialité et circulation des formes circassiennes
Arts du spectacle - Images et sons
Circus and cinema have often been thought together for a long time, but in terms of themes and incorporation: it is the cinema which seizes the circus to appropriate its universe, its characters, its stories, and vice versa. But the fruitfulness of the links that unite the two practices can not be limited to a one way ticket. Circus and cinema...



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Lille 1 Lille 2 Lille 3 Université du littoral, côte d'Opale Université Valenciennes Hainaut Cambrésis Université Catholique de Lille